"2 Aquarelles: Lento, ma non troppo" by Frederick Delius, Royal Northern Sinfonia, David Lloyd-Jones was released on March 8, 2002. The duration of 2 Aquarelles: Lento, ma non troppo is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. 2 Aquarelles: Lento, ma non troppo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 17 in ENGLISH STRING MINIATURES, Vol. 4 by David Lloyd-Jones, Royal Northern Sinfonia. 2 Aquarelles: Lento, ma non troppo is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 2 Aquarelles: Lento, ma non troppo by Frederick Delius, Royal Northern Sinfonia, David Lloyd-Jones is Adagio (slowly with great expression), since this song has a tempo of 72 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 117 BPM | ||
Violin Sonata No. 3: I. Slow | Frederick Delius, Susanne Stanzeleit, Gusztav Fenyo | A Major | 1 | 11B | 81 BPM | ||
Berceuse | Germaine Tailleferre, Sara Chenal, Jean-Pierre Ferey | A Major | 0 | 11B | 101 BPM | ||
Koanga, Act II: Closing Scene (arr. T. Beecham) | Frederick Delius, Susannah Glanville, Susan Lees, Irene Evans, Sarah Francis, Sue Pearce, Shirley Thomas, English Northern Philharmonia, David Lloyd-Jones | D♭ Major | 0 | 3B | 137 BPM | ||
Consort Music: Song Without Words | Geoffrey Bush, English Northern Philharmonia, David Lloyd-Jones | F Major | 1 | 7B | 119 BPM | ||
Organ Concerto No. 1 In G Minor, Op. 4, No. 1, HWV 289: IV. Andante | George Frideric Handel, Royal Northern Sinfonia, Simon Lindley | F♯ Major | 2 | 2B | 124 BPM | ||
5 Preludes: No. 4. Andante con moto | William Alwyn, Royal Liverpool Philharmonic Orchestra, David Lloyd-Jones | E Major | 0 | 12B | 0 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | ||
String Quartet 1916: 4. Very quick & vigorously | Frederick Delius, Fitzwilliam Quartet | F Major | 2 | 7B | 97 BPM |