Leonard Bernstein, Adolph Green, London Symphony Orchestra's 'Candide / Act II: 23. Words, Words, Words (Martin's Laughing Song)' came out on January 1, 1991. The duration of Candide / Act II: 23. Words, Words, Words (Martin's Laughing Song) is about 3 minutes long, at 3:11. Based on our data, "Candide / Act II: 23. Words, Words, Words (Martin's Laughing Song)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 34 in Bernstein: Candide by Leonard Bernstein, London Symphony Orchestra. Candide / Act II: 23. Words, Words, Words (Martin's Laughing Song) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Candide / Act II: 23. Words, Words, Words (Martin's Laughing Song) by Leonard Bernstein, Adolph Green, London Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 87 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La forza del destino: Overture (Sinfonia) | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | E Minor | 2 | 9A | 80 BPM | ||
Haydn: Trumpet Concerto In E Flat - Iii Finale | Franz Joseph Haydn, Tine Thing Helseth | E♭ Major | 2 | 5B | 145 BPM | ||
Chichester Psalms: II. Psalm 23, Psalm 2 vs. 1-4 | Leonard Bernstein, Jeremy Budd, Paul Charrier, Elizabeth Franklin-Kitchen, Thomas Kelly, Victoria Nayler, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Marin Alsop | F♯ Minor | 0 | 11A | 70 BPM | ||
St. Paul's Suite, Op. 29, No. 2: III. Intermezzo | Gustav Holst, English Sinfonia, Howard Griffiths | E Minor | 1 | 9A | 132 BPM | ||
3 Dance Episodes from "On the Town": III. Times Square | Leonard Bernstein, New York Philharmonic | G Minor | 3 | 6A | 96 BPM | ||
Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King. Alla marcia e molto marcato | Edvard Grieg, Leonard Bernstein, New York Philharmonic | G Major | 3 | 9B | 119 BPM | ||
Songfest: IV. "To What You Said ..." | Leonard Bernstein, Clamma Dale, Nancy Williams, Rosalind Elias, Neil Rosenshein, Donald Gramm, John Reardon, National Symphony Orchestra Washington | B♭ Major | 0 | 6B | 109 BPM | ||
L'Apprenti sorcier | Paul Dukas, Berliner Philharmoniker, James Levine | F Minor | 4 | 4A | 125 BPM | ||
Symphony No.2: 4. Lento maestoso | Charles Ives, New York Philharmonic, Leonard Bernstein | E Minor | 2 | 9A | 61 BPM | ||
Pictures at an Exhibition (Orch. Ravel): II. The Old Castle | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A♭ Major | 0 | 4B | 82 BPM |