Leonard Bernstein, Adolph Green, London Symphony Orchestra's 'Candide / Act II: 23. Words, Words, Words (Martin's Laughing Song)' came out on January 1, 1991. The duration of Candide / Act II: 23. Words, Words, Words (Martin's Laughing Song) is about 3 minutes long, at 3:11. Based on our data, "Candide / Act II: 23. Words, Words, Words (Martin's Laughing Song)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 34 in Bernstein: Candide by Leonard Bernstein, London Symphony Orchestra. Candide / Act II: 23. Words, Words, Words (Martin's Laughing Song) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Candide / Act II: 23. Words, Words, Words (Martin's Laughing Song) by Leonard Bernstein, Adolph Green, London Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 87 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 2: Habanera. Allegretto quasi Andantino (Act I) | Georges Bizet, Leonard Bernstein, New York Philharmonic | G Major | 1 | 9B | 125 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | ||
Symphony No. 4 in A Major, Op. 90, MWV N 16 "Italian": II. Andante con moto | Felix Mendelssohn, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 65 BPM | ||
Grand Canyon Suite: 4. Sunset | Ferde Grofé, Detroit Symphony Orchestra, Antal Doráti | D Major | 1 | 10B | 84 BPM | ||
Faust / Act 3: "Ah! Je ris de me voir" | Charles Gounod, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 3 | 9B | 76 BPM | ||
Don Giovanni, K.527 / Act 1: "Là ci darem la mano" | Wolfgang Amadeus Mozart, Cecilia Bartoli, Bryn Terfel, Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun Chung | A Major | 1 | 11B | 89 BPM | ||
Pictures At An Exhibition: The Great Gate Of Kiev | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | E♭ Major | 2 | 5B | 58 BPM | ||
Pictures At An Exhibition: Promenade I | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | F Major | 1 | 7B | 79 BPM | ||
Suite: A-Roving | John Rutter, Royal Ballet Sinfonia, David Lloyd-Jones | D Major | 1 | 10B | 144 BPM | ||
Polovetsian Dances from Prince Igor: Moderato alla breve | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 2 | 11B | 108 BPM |