"Grand Canyon Suite: 4. Sunset" by Ferde Grofé, Detroit Symphony Orchestra, Antal Doráti was released on January 1, 1983. Grand Canyon Suite: 4. Sunset is about six minutes long, preciously at 5:54, making this song fairly long compared to other songs. The track order of this song in Ferde Grofé, Detroit Symphony Orchestra, Antal Doráti's "Grofé: Grand Canyon Suite/Gershwin: Porgy & Bess" album is number 5 out of 6. On top of that, United Kingdom appears to be the country where this track was created. Grand Canyon Suite: 4. Sunset is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Grand Canyon Suite: 4. Sunset by Ferde Grofé, Detroit Symphony Orchestra, Antal Doráti to be Andante (at a walking pace) because the track has a tempo of 84 テンポ, a half-time of 42テンポ, and a double-time of 168 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Coppélia, Act III: No. 20, Fête de la cloche: f. La discorde et la guerre | Léo Delibes, Minnesota Orchestra, Antal Doráti | E♭ Major | 5 | 5B | 86 BPM | ||
La Mer, L.109: 3. Dialogue Of The Wind And The Sea | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 2 | 3B | 83 BPM | ||
Two Songs Without Words, Op. 22: I. Country Song | Gustav Holst, Richard Hickox, City of London Sinfonia | G Major | 0 | 9B | 82 BPM | ||
Wood Notes: II. Autumn Night: Lightly | William Grant Still, Fort Smith Symphony, John Jeter | D Minor | 0 | 7A | 106 BPM | ||
The Sleeping Beauty, Op. 66, TH 13 / Prologue: 3. Pas de six: Variations I-VI - Coda | Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti | F Major | 2 | 7B | 100 BPM | ||
The Red Pony Suite: VI. Happy Ending | Aaron Copland, Buffalo Philharmonic Orchestra | F Major | 3 | 7B | 76 BPM | ||
Prelude to the Afternoon of a Faun, L. 86 - Remastered | Claude Debussy, Daniel Barenboim | E Major | 1 | 12B | 72 BPM | ||
Carmina Burana / Uf dem Anger: Dance | Carl Orff, Royal Philharmonic Orchestra, Antal Doráti | C Major | 2 | 8B | 144 BPM | ||
Capriccio espagnol, Op. 34: IV. Scena e canto gitano | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 1 | 8A | 78 BPM | ||
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 149 BPM |