"The Sleeping Beauty, Op. 66, TH 13 / Prologue: 3. Pas de six: Variations I-VI - Coda" by Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti was released on January 1, 1981. The Sleeping Beauty, Op. 66, TH 13 / Prologue: 3. Pas de six: Variations I-VI - Coda is about six minutes long, preciously at 6:27, making this song fairly long compared to other songs. There are a total of 42 in the song's album "Tchaikovsky: The Sleeping Beauty". In this album, this song's track order is #5. In terms of popularity, The Sleeping Beauty, Op. 66, TH 13 / Prologue: 3. Pas de six: Variations I-VI - Coda is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Sleeping Beauty, Op. 66, TH 13 / Prologue: 3. Pas de six: Variations I-VI - Coda by Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti having a テンポ of 100 with a half-time of 50 テンポ and a double-time of 200 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Cid / Act 2: Aragonaise | Jules Massenet, National Philharmonic Orchestra, Richard Bonynge | G Major | 2 | 9B | 78 BPM | ||
The Sleeping Beauty, Op. 66, TH 13 / Act 1: 7. Scène (The Four Princes) | Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti | A Minor | 2 | 8A | 126 BPM | ||
Swan Lake, Op. 20 - Mariinsky Version / Act 1: Introduction: Andante - Allegro - Tempo 1 | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev | B Minor | 2 | 10A | 143 BPM | ||
Beethoven: Coriolan Overture, Op. 62 | Ludwig van Beethoven, Deutsche Kammerphilharmonie Bremen, Daniel Harding | E Major | 1 | 12B | 124 BPM | ||
La source, ou Naila: Suite No. 2: Suite No. 2: Scherzo Polka | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E Major | 0 | 12B | 82 BPM | ||
Pictures at an Exhibition: Ballet of the unhatched chicks | Mariss Jansons, Oslo Philharmonic Orchestra | D♭ Major | 1 | 3B | 176 BPM | ||
Pictures At An Exhibition: The Market-place At Limoges | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | E♭ Major | 3 | 5B | 106 BPM | ||
The Sleeping Beauty, Op.66, TH.13 / Act 3: 30a. Final: Allegro brillante (Mazurka) | Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti | D Major | 4 | 10B | 96 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: Masks | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | F Major | 1 | 7B | 84 BPM | ||
Dolly, Op.56: 4. Kitty-Valse | Gabriel Fauré, Katia Labèque, Marielle Labèque | E♭ Major | 1 | 5B | 101 BPM |