"Swan Lake, Op. 20 - Mariinsky Version / Act 1: Introduction: Andante - Allegro - Tempo 1" by Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev was released on January 1, 2007. The duration of Swan Lake, Op. 20 - Mariinsky Version / Act 1: Introduction: Andante - Allegro - Tempo 1 is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Swan Lake, Op. 20 - Mariinsky Version / Act 1: Introduction: Andante - Allegro - Tempo 1's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Tchaikovsky: Swan Lake (highlights)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Swan Lake, Op. 20 - Mariinsky Version / Act 1: Introduction: Andante - Allegro - Tempo 1's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Swan Lake, Op. 20 - Mariinsky Version / Act 1: Introduction: Andante - Allegro - Tempo 1 by Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev having a テンポ of 143 with a half-time of 72 テンポ and a double-time of 286 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Quixote: Introduction | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | G Major | 1 | 9B | 80 BPM | ||
Paquita: Variation 4: Allegro | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | D Major | 1 | 10B | 112 BPM | ||
Act I: Friends Of Kitri (Minkus) | Mariinsky Orchestra | D Major | 2 | 10B | 72 BPM | ||
Scene: Onegin and Tatiana - Onegin's Variation (Onegin Ballet Suite No 7 & 8) | Pyotr Ilyich Tchaikovsky, Sydney Symphony Orchestra, John Lanchbery | F Major | 0 | 7B | 138 BPM | ||
Bagatelles, Op. 47, B. 79: No. 5. Poco allegro | Antonín Dvořák, Scharoun Ensemble | G Major | 2 | 9B | 134 BPM | ||
Suite in A Major 'American Suite', Op. 98b, B. 190: Suite in A Major 'American Suite', Op. 98b, B. 190: I. Andante con moto | Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan | A Major | 0 | 11B | 157 BPM | ||
La Bayadere: Variation 4: Allegretto | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | A Major | 0 | 11B | 91 BPM | ||
Overture "King Stephen", Op. 117 - Remastered | Ludwig van Beethoven, George Szell, Cleveland Orchestra | E♭ Major | 3 | 5B | 91 BPM | ||
Le rouet d'Omphale, Op. 31, R. 169 | Camille Saint-Saëns, Orchestre National de Lille, Jun Markl | D Major | 1 | 10B | 121 BPM | ||
Act II: Variation Of Cupid (Minkus) | Mariinsky Orchestra | D Major | 2 | 10B | 132 BPM |