Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti made "The Sleeping Beauty, Op.66, TH.13 / Act 3: 30a. Final: Allegro brillante (Mazurka)" available on January 1, 1981. The Sleeping Beauty, Op.66, TH.13 / Act 3: 30a. Final: Allegro brillante (Mazurka) is about six minutes long, preciously at 5:53, making this song fairly long compared to other songs. There are a total of 42 in the song's album "Tchaikovsky: The Sleeping Beauty". In this album, this song's track order is #23. In terms of popularity, The Sleeping Beauty, Op.66, TH.13 / Act 3: 30a. Final: Allegro brillante (Mazurka) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With The Sleeping Beauty, Op.66, TH.13 / Act 3: 30a. Final: Allegro brillante (Mazurka) by Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti having a テンポ of 96 with a half-time of 48 テンポ and a double-time of 192 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jazz Suite No.2: 3. Dance I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | A Major | 4 | 11B | 79 BPM | ||
Romeo And Juliet, Ballet Suite No. 1 - Op. 64a:5: Masks | Sergei Prokofiev, Royal Concertgebouw Orchestra, Myung-Whun Chung | C Major | 0 | 8B | 68 BPM | ||
The Snow Maiden, Op. 12: I. Introduction | Moscow Symphony Orchestra, Moscow Capella, Elena Okolysheva, Arkady Mishenkin, Pyotr Ilyich Tchaikovsky | C Major | 0 | 8B | 91 BPM | ||
The Sleeping Beauty, Op. 66, TH 13 / Act 1: 8d. Pas d'action: Coda | Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti | G Major | 2 | 9B | 76 BPM | ||
Spartacus: Variation of Aegina and Bacchanalia | Aram Khachaturian, Bournemouth Symphony Orchestra, Kirill Karabits | D♭ Major | 3 | 3B | 132 BPM | ||
La Bayadere, Act III: 47. "Variation - Nikiya and Solor, Scarf. Coda. Finale" | Evergreen Symphony Orchestra, Kevin Galiè | D Major | 0 | 10B | 78 BPM | ||
Lyric Pieces, Op. 54 - Orch. by Edvard Grieg: V. March of the Trolls: Allegro Marcato | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | D Major | 0 | 10B | 77 BPM | ||
Symphony No. 3 in D Major, Op. 29, "Polish": II. Allegro moderato e semplice | Pyotr Ilyich Tchaikovsky, Gürzenich Orchester Köln, Dmitri Kitayenko | G Minor | 0 | 6A | 120 BPM | ||
La Princesse lontaine - Prelude | Nikolai Tcherepnin, Russian National Orchestra, Mikhail Pletnev | A Major | 0 | 11B | 69 BPM | ||
Mazurka No. 23 in D Major, Op. 33, No. 2 | Frédéric Chopin, Idil Biret | A Major | 1 | 11B | 96 BPM |