"La Bayadere, Act III: 47. "Variation - Nikiya and Solor, Scarf. Coda. Finale"" by Evergreen Symphony Orchestra, Kevin Galiè was released on February 26, 2018. Since La Bayadere, Act III: 47. "Variation - Nikiya and Solor, Scarf. Coda. Finale" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Evergreen Symphony Orchestra, Kevin Galiè's "La Bayadère" album is number 19 out of 53. La Bayadere, Act III: 47. "Variation - Nikiya and Solor, Scarf. Coda. Finale" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Bayadere, Act III: 47. "Variation - Nikiya and Solor, Scarf. Coda. Finale" by Evergreen Symphony Orchestra, Kevin Galiè to be Andante (at a walking pace) because the track has a tempo of 78 テンポ, a half-time of 39テンポ, and a double-time of 156 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Delirien Waltz, Op.212 | Josef Strauss, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 97 BPM | ||
The Talisman. Female Variation | Riccardo Drigo, MetodoVadim | A Minor | 1 | 8A | 93 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 46: III. Allegro | Henri Vieuxtemps, Wen-Sinn Yang, Evergreen Symphony Orchestra, Gernot Schmalfuss | A Minor | 2 | 8A | 123 BPM | ||
Khachaturian : Gayaneh Suite No.1 : II Dance of the Young Maidens | Aram Khachaturian, Alexander Lazarev, The Bolshoi Symphony Orchestra | E Minor | 1 | 9A | 114 BPM | ||
Polovtsian Dances, from: Prince Igor: Moderato alla breve | Alexander Borodin, Berliner Philharmoniker, Herbert von Karajan | B Minor | 3 | 10A | 184 BPM | ||
Symphony No. 3 in C Major: I. Adagio maestoso - Allegro presto | Antonio Casimir Cartellieri, Evergreen Symphony Orchestra, Gernot Schmalfuss | B♭ Major | 1 | 6B | 136 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 46: I. Allegro moderato | Henri Vieuxtemps, Wen-Sinn Yang, Evergreen Symphony Orchestra, Gernot Schmalfuss | C Major | 2 | 8B | 119 BPM | ||
Le grand cahier: VI. Le bain | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov | C Major | 1 | 8B | 103 BPM | ||
Swan Lake, Op. 20, Act III: "Variazione del principe" | Silvano Belfiore | F♯ Minor | 3 | 11A | 130 BPM | ||
String Quartet in F Major, Op. 3 No. 5: II. Andante cantabile (Serenade) | Roman Hoffstetter, Metamorphose String Orchestra, Pavel Lyubomudrov | C Major | 1 | 8B | 176 BPM |