Ataúlfo Argenta, Ana Maria Olaria, Teresa Berganza, Gran Orquesta Sinfonica, Carlos Munguia, Francisco Asenjo Barbieri, Coro De Camara Del Orfeon Donostiarra's 'El barberillo de Lavapiés, Acto II: Marquesita y Don Luis' came out on August 15, 2019. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 11 in El barberillo de Lavapiés (Zarzuela en Tres Actos) by Ataulfo Argenta, Gran Orquesta Sinfónica, Coro de Cámara del Orfeón Donostiarra, Ana María Olari. El barberillo de Lavapiés, Acto II: Marquesita y Don Luis is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of El barberillo de Lavapiés, Acto II: Marquesita y Don Luis by Ataúlfo Argenta, Ana Maria Olaria, Teresa Berganza, Gran Orquesta Sinfonica, Carlos Munguia, Francisco Asenjo Barbieri, Coro De Camara Del Orfeon Donostiarra is Andante (at a walking pace), since this song has a tempo of 81 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Capote de Grana y Oro (Pasodoble) | Real Orquesta Sinfónica de Sevilla, Spanish Folklore | D Minor | 3 | 7A | 106 BPM | ||
Las Golondrinas, Escena final, I parte: "¡Era mío!" | Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña, Carlo Galeffi | E♭ Major | 2 | 5B | 129 BPM | ||
L´Amico Fritz: Son pochi fiori | Mirella Freni, Munchener Rundfunkorchester, Ino Savini | B♭ Major | 2 | 6B | 63 BPM | ||
María Santísima del Dulce Nombre - Marcha Cofrade | Real Orquesta Sinfonica De Sevilla | A♭ Minor | 2 | 1A | 91 BPM | ||
Triumphal March & Chorus Act.2 (Aida) | Choir and Orchestra of the Budapest State Opera, Josif Conta, Consortium Musicum Ljubjlana | E♭ Major | 1 | 5B | 140 BPM | ||
El Gato Montés | Banda Sinfonica“La Artistica”Bunol | G Minor | 5 | 6A | 117 BPM | ||
La del soto del parral: Ronda de enamorados | Reveriano Soutullo, Juan Vert, Madrid Community Chorus, Madrid Community Orchestra, Miguel Roa | D Major | 0 | 10B | 73 BPM | ||
Don Giovanni, K. 527, Act I: Finch'han dal vino, "Champagne Aria" | Wolfgang Amadeus Mozart, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | F Major | 4 | 7B | 129 BPM | ||
Mozart: Le nozze di Figaro, K. 492, Act 2: Cavatina. "Porgi, amor" (Contessa) | Wolfgang Amadeus Mozart, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | G Major | 3 | 9B | 83 BPM | ||
Preludio (La Alegria de la Huerta) - Remasterizado | Orquesta Sinfónica de Madrid, Ataúlfo Argenta | C Major | 6 | 8B | 74 BPM |