William Croft, RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle's 'The Lord is a sun and a shield: No. 4, Verse "His salvation is nigh them that fear him"' came out on April 28, 2023. With The Lord is a sun and a shield: No. 4, Verse "His salvation is nigh them that fear him" being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle's "Handel: Coronation Anthems" album is number 8 out of 22. On top of that, France appears to be the country where this track was created. The Lord is a sun and a shield: No. 4, Verse "His salvation is nigh them that fear him" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Lord is a sun and a shield: No. 4, Verse "His salvation is nigh them that fear him" by William Croft, RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle to be Andante (at a walking pace) because the track has a tempo of 79 テンポ, a half-time of 40テンポ, and a double-time of 158 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Timon of Athens, Z.632 / The Masque: 10. Solo "Love Quickly is Pall'd" | Henry Purcell, Andrew King, Musicians Of The Globe, Philip Pickett | D♭ Major | 2 | 3B | 80 BPM | ||
Elijah, Op. 70, MWV A 25 (Excerpts): No. 31, Sei stille dem Herrn | Felix Mendelssohn, Ema Nikolovska, Munich Radio Orchestra, Bavarian Radio Chorus, Howard Arman | D Major | 2 | 10B | 97 BPM | ||
Orfeo: Aria : "Dall'amor più sventurato" | Nicola Porpora, Akademie für Alte Musik Berlin, René Jacobs, Vivica Genaux | C Minor | 0 | 5A | 88 BPM | ||
Gelobet sei der Herr, TWV 1:602/1216: Singt gegeneinander | Georg Philipp Telemann, Kölner Akademie, Michael Alexander Willens | D♭ Major | 2 | 3B | 121 BPM | ||
Johannes-Passion, BWV 245.1: 21. Recitativo: Und die Kriegsknechte flochten eine Krone | Johann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin, David Fischer, Tobias Berndt, Daniel Ochoa | D Major | 2 | 10B | 172 BPM | ||
Magnificat, W. E22: Gloria Patri et filio (Chorus) | Johann Christian Bach, Elisabeth Scholl, Ruth Sandhoff, Andreas Karasiak, Gotthold Schwarz, Dresden Chamber Choir, La Stagione Frankfurt, Michael Schneider | B Major | 3 | 1B | 64 BPM | ||
Stabat Mater, P. 77: I. Stabat mater dolorosa | Giovanni Battista Pergolesi, Shira Patchornik, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Allein zu dir, Herr Jesu Christ (Chorus) | Johann Sebastian Bach, Nathalie Stutzmann, Christoph Genz, Jonathan Brown, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | A♭ Minor | 3 | 1A | 106 BPM | ||
Biber: Requiem a 15 in A Major: VII. Communio | Heinrich Ignaz Franz von Biber, Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra | B♭ Major | 1 | 6B | 101 BPM | ||
Motetto de S. Joanne Baptista: III. Coro. Alleluia | František Tůma, Andreas Scholl, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM |