Johann Sebastian Bach, Andrés Segovia made "Prelude BWV 1006" available on November 21, 2018. The duration of Prelude BWV 1006 is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Prelude BWV 1006's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Spanish Classic Sound, Vol. 1 (1928 - 1930)". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Canada. The popularity of Prelude BWV 1006 is currently below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Prelude BWV 1006 by Johann Sebastian Bach, Andrés Segovia having a テンポ of 172 with a half-time of 86 テンポ and a double-time of 344 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Matthäus-Passion: Erster Teil, 1. Chorus I & II Kommt, ihr Töchter, helft mir klagen | Johann Sebastian Bach, RIAS Kammerchor, Staats- und Domchor Berlin, Akademie für Alte Musik Berlin, René Jacobs | E♭ Minor | 3 | 2A | 77 BPM | ||
Violin Sonata No. 1 in G Minor, BWV 1001: 3. Siciliana (Arr. Segovia for Guitar) | Johann Sebastian Bach, Andrés Segovia | A Major | 1 | 11B | 77 BPM | ||
Partita in A Minor, BWV 1013 (arr. E. Voorhorst for guitar): II. Corrente | Johann Sebastian Bach, Enno Voorhorst | A Minor | 3 | 8A | 101 BPM | ||
24 Caprices, Op. 1 (arr. for guitar): No. 5 in A Minor | Niccolò Paganini, Marco Tamayo | E Minor | 2 | 9A | 69 BPM | ||
Suite compostelana: V. Cancion | Federico Mompou, Scott Tennant | A Minor | 0 | 8A | 126 BPM | ||
Preludio | Isaac Albéniz, David Russell | G Minor | 1 | 6A | 112 BPM | ||
Etude in A Major, Op. 6 No. 12 | Fernando Sor, Andrés Segovia | A Major | 0 | 11B | 139 BPM | ||
25 Etudes, Op. 38: No. 3 in D Minor: Prelude | Napoléon Coste, Jeffrey McFadden | D Minor | 0 | 7A | 116 BPM | ||
Valse, Op. 64: II. Tempo giusto | Frédéric Chopin, Tatyana Ryzhkova | A Minor | 4 | 8A | 147 BPM | ||
Brandenburg Concerto No. 1 in F BWV1046: I. [Allegro] | Johann Sebastian Bach, Catherine Mackintosh/Paul Goodwin/Timothy Brown/Susan Dent/Orchestra of the Age of Enlightenment, Orchestra of the Age of Enlightenment | E Major | 4 | 12B | 172 BPM |