Jacques Offenbach, Francisco Araiza, Jessye Norman, Staatskapelle Dresden, Jeffrey Tate made "Les Contes d'Hoffmann / Act 3: "Pourtant, ô ma fiancée"" available on January 1, 1992. The duration of Les Contes d'Hoffmann / Act 3: "Pourtant, ô ma fiancée" is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Les Contes d'Hoffmann / Act 3: "Pourtant, ô ma fiancée"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 59 in the song's album "Offenbach: Les Contes d'Hoffmann". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Netherlands. Les Contes d'Hoffmann / Act 3: "Pourtant, ô ma fiancée" is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Les Contes d'Hoffmann / Act 3: "Pourtant, ô ma fiancée" by Jacques Offenbach, Francisco Araiza, Jessye Norman, Staatskapelle Dresden, Jeffrey Tate having a テンポ of 65 with a half-time of 32 テンポ and a double-time of 130 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Ein Sommernachtstraum (A Midsummer's Night Dream): VII. Hochzeitsmarsch / Marche nuptiale | Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe Herreweghe | C Major | 2 | 8B | 82 BPM | ||
Orphee aux enfers (Orpheus in the Underworld) (Sung in German): Act I Scene 1: Ich bin die offentliche Meinung (Offentliche Meinung) | Jacques Offenbach, Heinz Hoppe, Anneliese Rothenberger, Max Hansen, Ferry Gruber, Bruno Fritz, Gisela Litz, Rupert Glawitsch, Else Mühl, Renata George, Ursula SchirrmacHer, Erna Maria Duske, Ilse Hübener, Jürgen Förster, Karl Otto, NDR Chor, NDR Sinfonieorchester, Paul Burkhard | D Major | 2 | 10B | 79 BPM | ||
Salut For August Bournonville, Galop (1869) | Hans Christian Lumbye, Tivoli Symphony Orchestra | D Major | 3 | 10B | 161 BPM | ||
The 4 Seasons: Violin Concerto in F major, Op. 8, No. 3, RV 293, "L'autunno" (Autumn): I. Allegro | Karoly Botvay | F Major | 0 | 7B | 107 BPM | ||
Voices of Spring Waltz, Op. 410 | Orchestra of the Viennese Volksoper & Alfred Scholz | C Minor | 1 | 5A | 99 BPM | ||
The Island of Tulipatan: XVI. Duet: "Oh, my God!" | Jacques Offenbach, Tom Mulder, Claire Kuttler, Tyson Deaton, Light Opera of New York | D♭ Major | 1 | 3B | 167 BPM | ||
Raymonda, Act III: Variation for male dancer | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | A♭ Major | 0 | 4B | 61 BPM | ||
El amor brujo: Ritual Fire Dance - Excerpt | Manuel de Falla, Deutsches Symphonie-Orchester Berlin, Lorin Maazel | C Major | 1 | 8B | 142 BPM | ||
Pomme d'api: Bonjour monsieur, je suis la bonne | Jacques Offenbach, Magali Léger, Marc Barrard, Die Kölner Akademie, Michael Alexander Willens | F Major | 2 | 7B | 104 BPM |