Jacques Offenbach, Heinz Hoppe, Anneliese Rothenberger, Max Hansen, Ferry Gruber, Bruno Fritz, Gisela Litz, Rupert Glawitsch, Else Mühl, Renata George, Ursula SchirrmacHer, Erna Maria Duske, Ilse Hübener, Jürgen Förster, Karl Otto, NDR Chor, NDR Sinfonieorchester, Paul Burkhard's 'Orphee aux enfers (Orpheus in the Underworld) (Sung in German): Act I Scene 1: Ich bin die offentliche Meinung (Offentliche Meinung)' came out on March 1, 2015. With Orphee aux enfers (Orpheus in the Underworld) (Sung in German): Act I Scene 1: Ich bin die offentliche Meinung (Offentliche Meinung) being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 44 in the song's album "Orphee aux enfers (Orpheus in the Underworld) (Sung in German)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Orphee aux enfers (Orpheus in the Underworld) (Sung in German): Act I Scene 1: Ich bin die offentliche Meinung (Offentliche Meinung) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Orphee aux enfers (Orpheus in the Underworld) (Sung in German): Act I Scene 1: Ich bin die offentliche Meinung (Offentliche Meinung) by Jacques Offenbach, Heinz Hoppe, Anneliese Rothenberger, Max Hansen, Ferry Gruber, Bruno Fritz, Gisela Litz, Rupert Glawitsch, Else Mühl, Renata George, Ursula SchirrmacHer, Erna Maria Duske, Ilse Hübener, Jürgen Förster, Karl Otto, NDR Chor, NDR Sinfonieorchester, Paul Burkhard having a テンポ of 79 with a half-time of 40 テンポ and a double-time of 158 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture "A Midsummer Night's Dream", Op.21 | Felix Mendelssohn, Boston Symphony Orchestra, Seiji Ozawa | E Major | 1 | 12B | 139 BPM | ||
Serenade for strings in E Minor, Op. 20 | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | E Minor | 1 | 9A | 81 BPM | ||
Verdi: La traviata, Act 1: "Sempre libera" (Violetta, Alfredo) | Giuseppe Verdi, Maria Callas, Gabriele Santini, Orchestra Sinfonica della RAI | A♭ Major | 1 | 4B | 115 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | ||
Cavalleria rusticana: Ave Maria | Pietro Mascagni, Elina Garanca, Deutsche Radio Philharmonie Saarbrücken, Karel Mark Chichon | E Major | 1 | 12B | 109 BPM | ||
Tosca / Act II: "Vissi d'arte, vissi d'amore" | Giacomo Puccini, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E♭ Major | 1 | 5B | 82 BPM | ||
Les Contes d'Hoffmann / Act 1: Les oiseaux dans la charmille | Jacques Offenbach, Dame Joan Sutherland, Jacques Charon, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | A♭ Major | 1 | 4B | 136 BPM | ||
Le carrosse aux cygnes (Arr. Camille & Julie Berthollet & Samuel Pegg d'après Les contes d'Hoffmann de Jacques Offenbach) | Camille Berthollet, Jacques Offenbach, Julie Berthollet, Samuel Pegg, Gavin Greenaway, Puy du Fou Orchestra | G Minor | 2 | 6A | 139 BPM | ||
La fille mal gardée (Rev. Lanchbery), Act I: No. 17a, Clog Dance | Ferdinand Hérold, Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | G Minor | 1 | 6A | 130 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": I. Allegro | Antonio Vivaldi, Nigel Kennedy, English Chamber Orchestra | E Major | 2 | 12B | 113 BPM |