The Island of Tulipatan: XVI. Duet: "Oh, my God!"

Jacques Offenbach, Tom Mulder, Claire Kuttler, Tyson Deaton, Light Opera of New York
The Island of Tulipatan
1:13 2017年8月1日
テンポ
167
キー
D♭ Major
キャメロットミュージックキー
3B

リンクを埋め込む

共有

The Island of Tulipatan: XVI. Duet: "Oh, my God!" - Jacques Offenbach, Tom Mulder, Claire Kuttler, Tyson Deaton, Light Opera of New York 情報

音響性
77%
ダンサビリティ
55%
エネルギー
5%
手段性
0%
活気
60%
ラウドネス
57%
話し言葉
48%
価数
37%
人気
ラウドネス
-25.974 dB

まとめ

Jacques Offenbach, Tom Mulder, Claire Kuttler, Tyson Deaton, Light Opera of New York's 'The Island of Tulipatan: XVI. Duet: "Oh, my God!"' came out on August 1, 2017. With The Island of Tulipatan: XVI. Duet: "Oh, my God!" being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "The Island of Tulipatan". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United States. The popularity of The Island of Tulipatan: XVI. Duet: "Oh, my God!" is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

The Island of Tulipatan: XVI. Duet: "Oh, my God!" テンポ

With The Island of Tulipatan: XVI. Duet: "Oh, my God!" by Jacques Offenbach, Tom Mulder, Claire Kuttler, Tyson Deaton, Light Opera of New York having a テンポ of 167 with a half-time of 84 テンポ and a double-time of 334 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.

The Island of Tulipatan: XVI. Duet: "Oh, my God!" キー

This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Moscow-Cheryomushki, Op. 105: 2. Waltz by Dmitri Shostakovich, Philadelphia Orchestra, Riccardo ChaillyMoscow-Cheryomushki, Op. 105: 2. WaltzDmitri Shostakovich, Philadelphia Orchestra, Riccardo ChaillyE Minor09A179 BPM
Les Contes d'Hoffmann (1989 Digital Remaster), Act II: Entr'acte by Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du ConservatoireLes Contes d'Hoffmann (1989 Digital Remaster), Act II: Entr'acteJacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du ConservatoireE Major212B104 BPM
Verdi: Aïda, Act 2: Triumphal march by Giuseppe Verdi, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa CeciliaVerdi: Aïda, Act 2: Triumphal marchGiuseppe Verdi, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa CeciliaE♭ Major05B93 BPM
Ponchielli: La Gioconda, Op. 9, Act 3: Dance of the Hours (Excerpt) by Amilcare Ponchielli, Sir Neville Marriner, Academy of St. Martin in the FieldsPonchielli: La Gioconda, Op. 9, Act 3: Dance of the Hours (Excerpt)Amilcare Ponchielli, Sir Neville Marriner, Academy of St. Martin in the FieldsE Major012B79 BPM
The Sleeping Beauty, Ballet Suite, op. 66a: Waltz by New Philharmonia Orchestra London, Lawrence SiegelThe Sleeping Beauty, Ballet Suite, op. 66a: WaltzNew Philharmonia Orchestra London, Lawrence SiegelB♭ Major16B108 BPM
The 4 Seasons: Violin Concerto in E major, Op. 8, No. 1, RV 269, The 4 Seasons: Violin Concerto in E major, Op. 8, No. 1, RV 269, "La primavera" (Spring): II. Largo e pianissimo sempreKaroly BotvayD♭ Minor012A88 BPM
Le roi s'amuse: Pavane by Léo Delibes, Slovak Philharmonic, Ondrej LenardLe roi s'amuse: PavaneLéo Delibes, Slovak Philharmonic, Ondrej LenardB♭ Major06B91 BPM
12 Etudes, Op. 10: No. 3 in E Major 12 Etudes, Op. 10: No. 3 in E Major "Tristesse"Frédéric Chopin, Tamás VásáryE Major112B138 BPM
Coro a bocca chiusa from Madama Butterfly - Voice by Giacomo Puccini, Plácido Domingo, Renata Scotto, Lorin MaazelCoro a bocca chiusa from Madama Butterfly - VoiceGiacomo Puccini, Plácido Domingo, Renata Scotto, Lorin MaazelF Major17B147 BPM
Les Contes d'Hoffmann / Act 2: Belle nuit, ô nuit d'amour by Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Plácido Domingo, Andre Neury, Pro Arte Choir, Lausanne, Choeur Du Brassus, Choeur de la Radio Suisse Romande, Orchestre de la Suisse Romande, Richard BonyngeLes Contes d'Hoffmann / Act 2: Belle nuit, ô nuit d'amourJacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Plácido Domingo, Andre Neury, Pro Arte Choir, Lausanne, Choeur Du Brassus, Choeur de la Radio Suisse Romande, Orchestre de la Suisse Romande, Richard BonyngeD Major110B77 BPM
ISRC
USAB11767816
レコードレーベル
L-M Records/RCA Records