"Gottes Zeit ist die allerbeste Zeit, BWV 106 (arr. by G. Kurtag)" by György Kurtág, Johann Sebastian Bach, Ashley Wass, Ron Abramski was released on September 1, 2013. The duration of Gottes Zeit ist die allerbeste Zeit, BWV 106 (arr. by G. Kurtag) is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Gottes Zeit ist die allerbeste Zeit, BWV 106 (arr. by G. Kurtag)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 15 in Bach to the Future by Ashley Wass. Gottes Zeit ist die allerbeste Zeit, BWV 106 (arr. by G. Kurtag) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Gottes Zeit ist die allerbeste Zeit, BWV 106 (arr. by G. Kurtag) by György Kurtág, Johann Sebastian Bach, Ashley Wass, Ron Abramski is Adagio (slowly with great expression), since this song has a tempo of 73 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Harp and Orchestra in G Minor, Op.81: II. Romanza. Andate | Elias Parish Alvars, Jean-Pierre Rampal, Franz Liszt Chamber Orchestra | E♭ Major | 0 | 5B | 123 BPM | ||
Música Callada III | Federico Mompou, Javier Perianes | B♭ Major | 0 | 6B | 74 BPM | ||
The Sayings of Péter Bornemisza, Op. 7: I. Confession | György Kurtág, Gabor Csalog, Tony Arnold | E♭ Minor | 2 | 2A | 79 BPM | ||
Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM | ||
Piano Concerto in G Major, M. 83: 2. Adagio assai | Maurice Ravel, Benjamin Grosvenor, Royal Liverpool Philharmonic Orchestra, James Judd | E Major | 0 | 12B | 80 BPM | ||
Keyboard Sonata in C Major, Kk. 159 | Domenico Scarlatti, Alon Goldstein | C Major | 2 | 8B | 120 BPM | ||
Prelude for Piano in B Minor, BWV 855a | Alexander Siloti, Johann Sebastian Bach, Nikolai Tokarev | B Minor | 0 | 10A | 92 BPM | ||
Harmonies des bois, Op. 76: No. 2 Les Larmes de Jacqueline | Jacques Offenbach, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno | C Major | 0 | 8B | 65 BPM | ||
The Morning: The Glitt'ring Sun (arr. G. Anderson and E. J. Roe) | Anderson & Roe | D♭ Major | 0 | 3B | 100 BPM | ||
Gluck / Arr. Kreisler: Mélodie (From Orfeo ed Euricide, Wq. 30) | Christoph Willibald Gluck, Vilde Frang | D Minor | 0 | 7A | 164 BPM |