"Gluck / Arr. Kreisler: Mélodie (From Orfeo ed Euricide, Wq. 30)" by Christoph Willibald Gluck, Vilde Frang was released on September 1, 2017. The duration of Gluck / Arr. Kreisler: Mélodie (From Orfeo ed Euricide, Wq. 30) is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Gluck / Arr. Kreisler: Mélodie (From Orfeo ed Euricide, Wq. 30)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Vilde Frang's "Homage" album is number 4 out of 17. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Gluck / Arr. Kreisler: Mélodie (From Orfeo ed Euricide, Wq. 30) is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gluck / Arr. Kreisler: Mélodie (From Orfeo ed Euricide, Wq. 30) by Christoph Willibald Gluck, Vilde Frang to be Vivace (lively and fast) because the track has a tempo of 164 テンポ, a half-time of 82テンポ, and a double-time of 328 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Saint-Saëns: Mon coeur s'ouvre à ta voix from "Samson et Dalila" | Camille Saint-Saëns, Edgar Moreau, Pierre-Yves Hodique | D♭ Major | 1 | 3B | 86 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: No. 1 in E Major, Op. 19, No. 1 | Felix Mendelssohn, Péter Nagy | A Major | 0 | 11B | 85 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
Flautino Concerto In C, RV 443 - Arr. in G Major for Recorder: 2. Largo | Antonio Vivaldi, Lucie Horsch, Amsterdam Vivaldi Players | F♯ Minor | 0 | 11A | 69 BPM | ||
Schwanengesang, D. 957: No. 4. Standchen (Leise flehen meine Lieder) (arr. Liszt) | Franz Liszt, Péter Nagy | D Major | 0 | 10B | 137 BPM | ||
Nocturno | Manuel de Falla, Javier Perianes | F Minor | 0 | 4A | 129 BPM | ||
Havanaise, Op. 83 | Camille Saint-Saëns, Janine Jansen, Royal Philharmonic Orchestra, Barry Wordsworth | E Major | 1 | 12B | 70 BPM |