"Concerto for Harp and Orchestra in G Minor, Op.81: II. Romanza. Andate" by Elias Parish Alvars, Jean-Pierre Rampal, Franz Liszt Chamber Orchestra had its release date on March 7, 1995. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 7 in Boieldieu & Parish Alvars & Viotti: Harp Concertos by Jean-Pierre Rampal, Franz Liszt Chamber Orchestra. Based on our statistics, Concerto for Harp and Orchestra in G Minor, Op.81: II. Romanza. Andate's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto for Harp and Orchestra in G Minor, Op.81: II. Romanza. Andate by Elias Parish Alvars, Jean-Pierre Rampal, Franz Liszt Chamber Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 123 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 8 in G Major, Op. 88, B. 163 (Arr. P. Breiner for Piano): III. Allegretto grazioso | Antonín Dvořák, Peter Breiner | G Major | 1 | 9B | 179 BPM | ||
Im Abendrot, D. 799 (Version for Cello and Piano) - Musical Moments | Franz Schubert, Kian Soltani, Aaron Pilsan | F♯ Minor | 1 | 11A | 76 BPM | ||
Sakura, Sakura (Japanese trad.) | Anonymous, Julian Lloyd Webber, Jayson Mariano Kouchak | C Minor | 0 | 5A | 83 BPM | ||
Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Camille Thomas, Julien Brocal | D Major | 1 | 10B | 72 BPM | ||
4 Postludes for Piano & String Orchestra: No. 3. Larghetto, con moto (poco rubato) | Valentin Silvestrov, Elisaveta Blumina, Stuttgart Chamber Orchestra, Thomas Sanderling | G Major | 0 | 9B | 74 BPM | ||
4 Postludes for Piano & String Orchestra: No. 1. Larghetto - Andante | Valentin Silvestrov, Elisaveta Blumina, Stuttgart Chamber Orchestra, Thomas Sanderling | C Major | 0 | 8B | 95 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
Concerto in D Minor: II. Adagio | Alessandro Marcello, Miloš Karadaglić, Jonathan Cohen, Arcangelo | D Minor | 0 | 7A | 144 BPM | ||
Truth, And Then There Were Teardrops | Amy Dickson | B♭ Minor | 1 | 3A | 63 BPM | ||
The Girl with the Flaxen Hair | Hajime Mizoguchi | G Major | 1 | 9B | 83 BPM |