John Harbison, Mary Mackenzie, John Chin, Joe Martin, Dayna Stephens, Dan Rieser's 'I Could End Up Loving You Tonight' had a release date set for December 1, 2015. This song is about six minutes long, preciously at 5:55, making this song fairly long compared to other songs. The track order of this song in John Harbison, Mary Mackenzie, John Chin's "John Harbison: Songs After Hours" album is number 10 out of 12. On top of that, United States appears to be the country where this track was created. In terms of popularity, I Could End Up Loving You Tonight is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of I Could End Up Loving You Tonight by John Harbison, Mary Mackenzie, John Chin, Joe Martin, Dayna Stephens, Dan Rieser to be Moderato (at a moderate speed) because the track has a tempo of 112 テンポ, a half-time of 56テンポ, and a double-time of 224 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Syrinx, CD 137 (Version for Oboe d'amore) | Claude Debussy, Heinz Holliger | F Major | 0 | 7B | 79 BPM | ||
Mirabai Songs: II. All I Was Doing Was Breathe | John Harbison, Dawn Upshaw, David Zinman, Orchestra of St. Luke's | C Major | 1 | 8B | 61 BPM | ||
Nocturne No. 8 in A Major, H. 46 | John Field, Michael Collins, Michael McHale | A Major | 0 | 11B | 74 BPM | ||
Improvisation on Mozart's "Linz" Symphony | Tarmo Peltokoski | C Major | 2 | 8B | 73 BPM | ||
Kinderszenen, Op. 15 (transcribed for cello and piano by Thedéen & Shirinyan): No. 7 Träumerei | Robert Schumann, Marianna Shirinyan, Torleif Thedéen | G Minor | 4 | 6A | 148 BPM | ||
Clarinet Sonata, FP 184: I. Allegro tristamente – Très calme – Tempo allegretto | Francis Poulenc, Nash Ensemble | A Major | 1 | 11B | 82 BPM | ||
Cavalleria rusticana: Preludio - Intermezzo | Yoko Ara, Takehiko Yamada | G Major | 1 | 9B | 92 BPM | ||
String Quartet No. 11, Op. 122: IV. Etude. Allegro | Dmitri Shostakovich, Tiziano Baviera, Alberto Franchin, Sara Dambruoso, Tommaso Tesini, Quartetto Noûs | A Major | 1 | 11B | 122 BPM | ||
For Violin Alone: IV. March | John Harbison, Jennifer Koh | C Major | 0 | 8B | 95 BPM | ||
4 Short Pieces, Op. 6: No. 1, Prelude. Non troppo allegro | Howard Ferguson, John Finucane, Elisaveta Blumina | A Minor | 0 | 8A | 51 BPM |