John Harbison, Jennifer Koh's ' "For Violin Alone: IV. March" was released on its scheduled release date, November 13, 2020. The duration of This song is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. For Violin Alone: IV. March's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 16 in Bach & Beyond, Pt. 3 by Jennifer Koh. In terms of popularity, For Violin Alone: IV. March is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of For Violin Alone: IV. March by John Harbison, Jennifer Koh is Andante (at a walking pace), since this song has a tempo of 95 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romance sans paroles, Op. 67 No. 32, MWV U145 | Felix Mendelssohn, David Walter, Claire Désert | F♯ Major | 4 | 2B | 112 BPM | ||
2 Fantasy Pieces for Oboe & Piano, Op. 2, FS 8: No. 1, Romance (Arr. for Violin & Orchestra by Anonymous) | Carl Nielsen, Bohdan Luts, Odense Symphony Orchestra, Anna Skryleva | D Minor | 1 | 7A | 107 BPM | ||
7 Preludes from 24 Preludes, Op. 34 (Arr. Strakhov for Viola & Piano): IV. Une valse militaire (after Prelude No. 16) | Dmitri Shostakovich, Simon Crawford-Phillips, Lawrence Power | D Minor | 1 | 7A | 114 BPM | ||
Improvisation on Mozart's "Linz" Symphony | Tarmo Peltokoski | C Major | 2 | 8B | 73 BPM | ||
Suite for Violin and Piano from Pulcinella, K34 (1925 Version): V. Minuetto e finale | Igor Stravinsky, Anthony Marwood, Thomas Adès | D Minor | 2 | 7A | 100 BPM | ||
The Firebird: Berceuse (arr. S. Dushkin for violin and piano) | Samuel Dushkin, Igor Stravinsky, Jascha Heifetz, Emmanuel Bay | A♭ Minor | 2 | 1A | 138 BPM | ||
12 Romances, Op. 21: No. 7, How Fair this Spot (arr. for piano trio by Alexander Panfilov) | Sergei Rachmaninoff, Christoph Croisé, Andrey Baranov, Alexander Panfilov | C Major | 1 | 8B | 97 BPM | ||
Trio for Piano, Oboe & Bassoon, FP 43: III. Rondo | Francis Poulenc, Mark Bebbington, Jonathan Davies, John Roberts, Jan Latham-Koenig, Royal Philharmonic Orchestra | A Minor | 1 | 8A | 81 BPM | ||
Suite for Violin and Piano, Op. 6: IV. Waltz | Benjamin Britten, Isabelle Faust, Alexander Melnikov, Boris Faust | F♯ Major | 1 | 2B | 138 BPM | ||
Mirabai Songs: I. It's True, I Went to the Market | John Harbison, Dawn Upshaw, David Zinman, Orchestra of St. Luke's | F Major | 1 | 7B | 83 BPM |