"The Firebird: Berceuse (arr. S. Dushkin for violin and piano)" by Samuel Dushkin, Igor Stravinsky, Jascha Heifetz, Emmanuel Bay was released on January 1, 1950. The duration of The Firebird: Berceuse (arr. S. Dushkin for violin and piano) is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. The Firebird: Berceuse (arr. S. Dushkin for violin and piano)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jascha Heifetz's "Heifetz: Encores, Vol. 1 (1946-1956)" album is number 13 out of 28. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, The Firebird: Berceuse (arr. S. Dushkin for violin and piano)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Firebird: Berceuse (arr. S. Dushkin for violin and piano) by Samuel Dushkin, Igor Stravinsky, Jascha Heifetz, Emmanuel Bay to be Allegro (fast, quick, and bright) because the track has a tempo of 138 テンポ, a half-time of 69テンポ, and a double-time of 276 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Clarinet Quintet: I. Funny Siciliana | Jan van Landeghem, Eddy Vanoosthuyse, Zemlinsky Quartet | G Minor | 1 | 6A | 182 BPM | ||
Histoire du soldat Suite (The Soldier's Tale Suite): I. The Soldier's March | Igor Stravinsky, Rolf Schulte, William Blount, Christopher Gekker, Michael Powell, Frank Morelli, John Feeney, Gordon Gottlieb, Robert Craft | D Major | 2 | 10B | 121 BPM | ||
Pan og Syrinx, Op. 49, FS 87 | Carl Nielsen, Bergen Philharmonic Orchestra, Edward Gardner | C Major | 0 | 8B | 87 BPM | ||
Piano Trio No. 3 in C Minor, Op. 101: II. Presto non assai | Johannes Brahms, Trio Sōra | F Minor | 0 | 4A | 106 BPM | ||
Sonatina | Morton Feldman, Marilyn Nonken, Stephen Marotto | B♭ Minor | 0 | 3A | 164 BPM | ||
12 Romances, Op. 21: No. 7, How Fair this Spot (Arr. for Piano Trio by Alexander Panfilov) | Sergei Rachmaninoff, Christoph Croisé, Andrey Baranov, Alexander Panfilov | D Major | 0 | 10B | 132 BPM | ||
Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: III. Moderato | Sergei Prokofiev, Sarah Chang, Sir Simon Rattle, Berliner Philharmoniker | G Minor | 1 | 6A | 85 BPM | ||
Romanza for Violin & Piano | Allan Pettersson, Ulf Wallin, Thomas Hoppe | B♭ Minor | 2 | 3A | 87 BPM | ||
Don Quixote, Op. 35 (Fantastic Variations on a Theme of Knightly Character): Theme: Don Quixote, the Knight of the Sorrowful Countenance | Richard Strauss, Leonard Slatkin, János Starker, Andreas Röhn, Oskar Lysy | C Major | 0 | 8B | 80 BPM | ||
Winterreise, Op. 89, D. 911 (Arr. for Horn, Cello & Piano by Timothy Jones): No. 13, Die Post | Franz Schubert, Josephine Knight, Simon Crawford-Phillips, Timothy Jones | E Major | 0 | 12B | 115 BPM |