Orlando Gibbons, London Baroque's 'Fantasias a 3: No. 8' came out on November 1, 2003. The duration of Fantasias a 3: No. 8 is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Fantasias a 3: No. 8's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 31 in the song's album "Trio Sonata in 17th Century England". In this album, this song's track order is #2. Fantasias a 3: No. 8 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fantasias a 3: No. 8 by Orlando Gibbons, London Baroque having a テンポ of 78 with a half-time of 39 テンポ and a double-time of 156 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Afferentur regi, WAB 1 | Anton Bruckner, SWR Vokalensemble Stuttgart, Tobias Unger, Florian Metzger, Harald Matjacic, Marcus Creed | F Major | 0 | 7B | 92 BPM | ||
L'Euridice, prologo: Aria di Romanesca | Giulio Caccini, Scherzi Musicali, Nicolas Achten | G Minor | 0 | 6A | 79 BPM | ||
Son of God Mass: Sanctus and Benedictus | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | F Major | 1 | 7B | 131 BPM | ||
In Nomine No. 20, 'Crye' | Christopher Tye, The Rose Consort Of Viols | D♭ Minor | 1 | 12A | 98 BPM | ||
Canzon seconda | Giovanni Gabrieli, Flanders Recorder Quartet | A♭ Major | 0 | 4B | 66 BPM | ||
April is in my mistress' face | Thomas Morley, Trinity Baroque, Julian Podger | F Major | 2 | 7B | 134 BPM | ||
Innsbruck, ich muß dich lassen | Heinrich Isaac, Amarcord | D Minor | 1 | 7A | 75 BPM | ||
Sub tuum praesidium, H. 28 | Marc-Antoine Charpentier, Ensemble Correspondances, Sébastien Daucé | G Minor | 1 | 6A | 126 BPM | ||
The Silver Swan | Orlando Gibbons, Christian Forshaw, Alexander Mason, Grace Davidson | B♭ Minor | 2 | 3A | 71 BPM | ||
Almighty and Everlasting God in F Major, IOG. 2 (Arr. For Mixed Ensemble) | Orlando Gibbons, Orchestre Baroque d’Avignon, Lois de Crilhon | F Major | 2 | 7B | 129 BPM |