"Innsbruck, ich muß dich lassen" by Heinrich Isaac, Amarcord was released on 2006. The duration of Innsbruck, ich muß dich lassen is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Innsbruck, ich muß dich lassen's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 33 in the song's album "The Book of Madrigals". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Germany. Innsbruck, ich muß dich lassen is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Innsbruck, ich muß dich lassen by Heinrich Isaac, Amarcord having a テンポ of 75 with a half-time of 38 テンポ and a double-time of 150 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
All-night Vigil, Op. 37, "Vespers": Thanksgiving hymn of Virgin Mary: O victorious leader | Sergei Rachmaninoff, Latvian Radio Choir, Sigvards Kļava | C Major | 3 | 8B | 132 BPM | ||
Ich weiss, dass mein Erlöser lebet, SWV 457 | Heinrich Schütz, Georg Poplutz, Tobias Mäthger, Hille Perl, Andreas Arend, Lee Santana, Anna Schall, Julia Fritz, Matthias Müller, Ludger Rémy, Instrumenta Musica, The Sirius Viols, Dresdner Kammerchor, Hans-Christoph Rademann | D♭ Major | 2 | 3B | 70 BPM | ||
To be sung on the water, Op. 42, No. 2 | Samuel Barber, Conspirare, Craig Hella Johnson | C Minor | 0 | 5A | 83 BPM | ||
Missa Wohlauff gut Gsell von hinnen: VIa. Agnus Dei I | Heinrich Isaac, Cinquecento | A Minor | 1 | 8A | 105 BPM | ||
Wie liegt die Stadt so wust | Rudolf Mauersberger, Sospiri, Christopher Watson | B♭ Minor | 0 | 3A | 145 BPM | ||
Brahms : 7 Lieder Op.62 : III Waldesnacht | Johannes Brahms, Arnold Schoenberg Chor | D Minor | 2 | 7A | 76 BPM | ||
Dieu, qu'il l'a fait bon regarder | Claude Debussy, Norddeutscher Figuralchor, Jörg Straube | A♭ Minor | 0 | 1A | 85 BPM | ||
Requiem [in memoriam Josquin Desprez] à 6 voix: I. Introitus - Requiem aeternam | Jean Richafort, Huelgas Ensemble | F Major | 1 | 7B | 83 BPM | ||
4 Shakespeare Songs: No. 2. Lullaby | Jaakko Mäntyjärvi, Voces Nordicae, Lone Larsen | F♯ Major | 1 | 2B | 130 BPM | ||
Never weather-beaten sail | Thomas Campion, Stile Antico | G Major | 1 | 9B | 80 BPM |