"Arcadiana, Op. 12: III. Auf dem Wasser zu singen" by Thomas Adès, Signum Quartet was released on April 7, 2015. The duration of Arcadiana, Op. 12: III. Auf dem Wasser zu singen is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Arcadiana, Op. 12: III. Auf dem Wasser zu singen's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Sound Escapes". In this album, this song's track order is #7. Arcadiana, Op. 12: III. Auf dem Wasser zu singen is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Arcadiana, Op. 12: III. Auf dem Wasser zu singen by Thomas Adès, Signum Quartet having a テンポ of 74 with a half-time of 37 テンポ and a double-time of 148 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Friends: For Rosemary | Ned Rorem, Carolyn Enger | D Minor | 0 | 7A | 0 BPM | ||
Piano Concerto, Op. 38: 2. Moderato | Samuel Barber, Elizabeth Joy Roe, London Symphony Orchestra, Emil Tabakov | D Major | 1 | 10B | 110 BPM | ||
DANCE: I. when you're broken open | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | F Major | 1 | 7B | 69 BPM | ||
Quatuor pour la fin du Temps: V. Louange à l'Éternité de Jésus | Olivier Messiaen, Robert Plane, Gould Piano Trio | E Major | 0 | 12B | 81 BPM | ||
Trio Sonata No. 1, BWV 525: I. (Allegro moderato) (Transcr. Kurtág) - Upright Piano | Johann Sebastian Bach, Víkingur Ólafsson, Halla Oddný Magnúsdóttir | E♭ Major | 2 | 5B | 100 BPM | ||
Five English Nursery Tunes: IV. Curly Locks | Hubert Clifford, Martyn Brabbins, BBC Philharmonic | B♭ Major | 0 | 6B | 74 BPM | ||
6 Chorale Preludes, BV B 50: Herzlich tut mich verlangen, Op. 122/10 | Johannes Brahms, Ferruccio Busoni, Igor Levit | A Minor | 0 | 8A | 84 BPM | ||
Symphony No. 1, "Afro-American": II. Sorrow (Adagio) | William Grant Still, Fort Smith Symphony, John Jeter | F Major | 0 | 7B | 55 BPM | ||
3 Spirituals for Orchestra: No. 2. Kum Bab Yah | Adolphus Hailstork, Virginia Symphony Orchestra, Joann Falletta | D Minor | 0 | 7A | 140 BPM | ||
Come away, come away death, Op.18, No.1 - Instrumental | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | E Minor | 1 | 9A | 109 BPM |