Come away, come away death, Op.18, No.1 - Instrumental

Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon
Introit: The Music of Gerald Finzi
3:43 2016年1月15日
テンポ
109
キー
E Minor
キャメロットミュージックキー
9A

リンクを埋め込む

共有

Come away, come away death, Op.18, No.1 - Instrumental - Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon 情報

音響性
95%
ダンサビリティ
16%
エネルギー
7%
手段性
13%
活気
23%
ラウドネス
61%
話し言葉
4%
価数
5%
人気
ラウドネス
-23.577 dB

まとめ

"Come away, come away death, Op.18, No.1 - Instrumental" by Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon was released on January 15, 2016. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Gerald Finzi, Aurora Orchestra, Nicholas Collon's "Introit: The Music of Gerald Finzi" album is number 10 out of 19. In terms of popularity, Come away, come away death, Op.18, No.1 - Instrumental is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Come away, come away death, Op.18, No.1 - Instrumental テンポ

We consider the tempo marking of Come away, come away death, Op.18, No.1 - Instrumental by Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon to be Moderato (at a moderate speed) because the track has a tempo of 109 テンポ, a half-time of 54テンポ, and a double-time of 218 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.

Come away, come away death, Op.18, No.1 - Instrumental キー

This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Minuet in A major, D. 334 by Franz Schubert, Arcadi VolodosMinuet in A major, D. 334Franz Schubert, Arcadi VolodosA Major011B92 BPM
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: V. Siciliana by Ottorino Respighi, Konstantin ScherbakovAntiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: V. SicilianaOttorino Respighi, Konstantin ScherbakovB Minor010A126 BPM
Hymnus for 12 Cellos, Op. 57 by Julius Klengel, Andreas Brantelid, Ingemar Brantelid, Henrik Dam Thomsen, Øystein Sonstad, Niels Ullner, Emilie Eskær, Jakob La Cour, Louisa Schwab, Morten Zeuthen, Live Johansson, Samira Dayyani, Lea BrøndalHymnus for 12 Cellos, Op. 57Julius Klengel, Andreas Brantelid, Ingemar Brantelid, Henrik Dam Thomsen, Øystein Sonstad, Niels Ullner, Emilie Eskær, Jakob La Cour, Louisa Schwab, Morten Zeuthen, Live Johansson, Samira Dayyani, Lea BrøndalD♭ Minor112A114 BPM
Schumann: 12 Gedichte aus Liebesfrühling, Op. 37: No. 11: Warum willst du andre fragen by Clara Schumann, Anneleen Lenaerts, Dionysis GrammenosSchumann: 12 Gedichte aus Liebesfrühling, Op. 37: No. 11: Warum willst du andre fragenClara Schumann, Anneleen Lenaerts, Dionysis GrammenosA♭ Major04B71 BPM
Charterhouse Suite: Rondo by Ralph Vaughan Williams, English Northern Philharmonia, David Lloyd-JonesCharterhouse Suite: RondoRalph Vaughan Williams, English Northern Philharmonia, David Lloyd-JonesC Major18B55 BPM
Ravel: Ma mère l'oye, M. 60: III. Laideronnette, impératrice des pagodes by Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic OrchestraRavel: Ma mère l'oye, M. 60: III. Laideronnette, impératrice des pagodesMaurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic OrchestraA♭ Minor01A122 BPM
Piano Concerto in G Major, M. 83: II. Adagio assai by Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre BoulezPiano Concerto in G Major, M. 83: II. Adagio assaiMaurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre BoulezE Major012B74 BPM
Romance by Gerald Finzi, Royal Ballet Sinfonia, David Lloyd-JonesRomanceGerald Finzi, Royal Ballet Sinfonia, David Lloyd-JonesA♭ Major14B106 BPM
To Lizbie Brown, Op.15, No.7 - Instrumental by Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas CollonTo Lizbie Brown, Op.15, No.7 - InstrumentalGerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas CollonC Minor15A73 BPM
Copland: Appalachian Spring: II. Allegro by Aaron Copland, Aurora Orchestra, Nicholas CollonCopland: Appalachian Spring: II. AllegroAaron Copland, Aurora Orchestra, Nicholas CollonF Major27B79 BPM
ISRC
This song does not have an ISRC.
レコードレーベル
L-M Records/RCA Records