"Strauss, R: Also sprach Zarathustra, Op. 30: VIII. The Dance Song - Song of the Night Wanderer" by Richard Strauss, Philadelphia Orchestra/Wolfgang Sawallisch, Michael Stairs, Wolfgang Sawallisch, Philadelphia Orchestra was released on March 8, 2010. Strauss, R: Also sprach Zarathustra, Op. 30: VIII. The Dance Song - Song of the Night Wanderer appears to be safe for all ages as it is not explicit. There are a total of 19 in the song's album "R.Strauss: Tone Poems". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. Strauss, R: Also sprach Zarathustra, Op. 30: VIII. The Dance Song - Song of the Night Wanderer is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Strauss, R: Also sprach Zarathustra, Op. 30: VIII. The Dance Song - Song of the Night Wanderer by Richard Strauss, Philadelphia Orchestra/Wolfgang Sawallisch, Michael Stairs, Wolfgang Sawallisch, Philadelphia Orchestra having a テンポ of 87 with a half-time of 44 テンポ and a double-time of 174 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Quixote, Op. 35, TrV 184: Variation I. Das Abenteuer mit den Windmühlen | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | C Minor | 4 | 5A | 110 BPM | ||
Schubert: Mass in G Major, D. 167: Credo | Franz Schubert, Lucia Popp, Elmar Schloter, Wolfgang Sawallisch, Bavarian Radio Symphony Orchestra | E Minor | 0 | 9A | 124 BPM | ||
Piano Concerto No. 3 in C Minor, Op. 32: I. Grave | Sergei Bortkiewicz, David Porcelijn, Stefan Doniga, Janacek Philharmonic Orchestra | B♭ Minor | 1 | 3A | 145 BPM | ||
Suite for Stor Orkester: IV. Finale. Allegro ben Moderato | Helena Munktell, Gävle Symphony Orchestra, Tobias Ringborg | E♭ Major | 2 | 5B | 138 BPM | ||
組曲《展覧会の絵》: 古城 | Modest Mussorgsky, Andrea Battistoni, Tokyo Philharmonic Orchestra | E♭ Major | 1 | 5B | 116 BPM | ||
Otello, Act IV: Ave Maria, piena di grazia | Giuseppe Verdi, Cincinnati Pops Orchestra, Erich Kunzel | A♭ Major | 0 | 4B | 83 BPM | ||
Schumann: Symphony No. 1 in B-Flat Major, Op. 38 "Spring": III. Scherzo. Molto vivace | Robert Schumann, Staatskapelle Dresden, Wolfgang Sawallisch | C Major | 1 | 8B | 78 BPM | ||
Symphony Fantastique in C Major, Op 14: III. Scene aux champs - Adagio | Hector Berlioz, Alberto Lizzio, Süddeutsche Philharmonie | F Major | 1 | 7B | 73 BPM | ||
Tchaikovsky: String Quartet No. 1 in D Major, Op. 11: II. Andante cantabile (Version for String Orchestra) | Pyotr Ilyich Tchaikovsky, Wolfgang Sawallisch, Philadelphia Orchestra | B♭ Major | 0 | 6B | 121 BPM | ||
Symphony No. 2 in E Minor, Op. 27: Ib. Allegro moderato | Sergei Rachmaninoff, Philadelphia Orchestra, Yannick Nézet-Séguin | G Major | 1 | 9B | 85 BPM |