"Piano Concerto No. 3 in C Minor, Op. 32: I. Grave" by Sergei Bortkiewicz, David Porcelijn, Stefan Doniga, Janacek Philharmonic Orchestra had its release date on February 2, 2018. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 9 in Bortkiewicz: Piano Concertos 2 & 3 by Sergei Bortkiewicz, David Porcelijn, Janacek Philharmonic Orchestra, Stefan Doniga. Based on our statistics, Piano Concerto No. 3 in C Minor, Op. 32: I. Grave's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Concerto No. 3 in C Minor, Op. 32: I. Grave by Sergei Bortkiewicz, David Porcelijn, Stefan Doniga, Janacek Philharmonic Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 145 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Préludes - Book 2, L.123: 12. Feux d'artifice | Claude Debussy, Pierre-Laurent Aimard | A♭ Major | 1 | 4B | 132 BPM | ||
Mephisto Waltz No. 4 | Franz Liszt, Giuseppe Andaloro | B Major | 1 | 1B | 57 BPM | ||
3 Pieces for orchestra, WAB 97: I. Moderato | Anton Bruckner, Orchestre Philharmonique Du Luxembourg, Gustavo Gimeno | E♭ Major | 1 | 5B | 135 BPM | ||
Piano Sonata No. 2 in C-Sharp Minor, Op. 60: I. Allegro ma non troppo | Sergei Bortkiewicz, Jouni Somero | D♭ Minor | 2 | 12A | 108 BPM | ||
Concerto for Orchestra, Sz. 116: III. Elegia (Andante, non troppo) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
Valses nobles et sentimentales, M. 61: VIII. Epilogue (Lent) | Maurice Ravel, Arcadi Volodos | C Major | 0 | 8B | 76 BPM | ||
Piano Concerto No.1 In G Minor, Op.25, MWV O7: 3. Presto | Felix Mendelssohn, Jean-Yves Thibaudet, Gewandhausorchester, Herbert Blomstedt | G Major | 2 | 9B | 97 BPM | ||
4 Piano Pieces, Op.119: 4. Rhapsody In E Flat Major | Johannes Brahms, Radu Lupu | C Minor | 1 | 5A | 118 BPM | ||
Symphony No.4 in D Minor, Op.13, B.41: 4. Finale (Allegro con brio) | Antonín Dvořák, London Symphony Orchestra, István Kertész | G Major | 2 | 9B | 76 BPM | ||
Poulenc: Cello Sonata, FP 143: III. Ballabile | Francis Poulenc, Daniel Müller-Schott/Robert Kulek | F Minor | 1 | 4A | 78 BPM |