Francis Poulenc, Daniel Müller-Schott/Robert Kulek's 'Poulenc: Cello Sonata, FP 143: III. Ballabile' came out on April 15, 2002. The duration of Poulenc: Cello Sonata, FP 143: III. Ballabile is about 3 minutes long, at 3:22. Based on our data, "Poulenc: Cello Sonata, FP 143: III. Ballabile" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 7 out of 13 in Debussy/Poulenc/Franck/Ravel:Music for Cello & Piano by Daniel Müller-Schott. Poulenc: Cello Sonata, FP 143: III. Ballabile is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Poulenc: Cello Sonata, FP 143: III. Ballabile by Francis Poulenc, Daniel Müller-Schott/Robert Kulek is Andante (at a walking pace), since this song has a tempo of 78 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 1 in E Minor, JB 1:105: III. Largo sostenuto | Bedřich Smetana, Pavel Haas Quartet | A♭ Major | 0 | 4B | 169 BPM | ||
Piano Sonata No. 11 in A Major, K. 331: 1. Theme (Andante grazioso) | Wolfgang Amadeus Mozart, Alicia de Larrocha | A Major | 0 | 11B | 91 BPM | ||
Prokofiev: Piano Concerto No. 3 in C Major, Op. 26: III. Allegro, ma non troppo | Sergei Prokofiev, Evgeny Kissin, Vladimir Ashkenazy, Philharmonia Orchestra | C Major | 2 | 8B | 103 BPM | ||
Six German Dances, D820: No.2 | Franz Schubert, Mitsuko Uchida | A♭ Major | 0 | 4B | 111 BPM | ||
Saint-Saëns: Cello Concerto No. 1 in A Minor, Op. 33: III. Allegro non troppo | Camille Saint-Saëns, Mstislav Rostropovich, Sir Malcolm Sargent, Philharmonia Orchestra | A Minor | 1 | 8A | 83 BPM | ||
Lyric Pieces Book IV, Op.47: No. 4 Halling | Edvard Grieg, Emil Gilels | D Major | 1 | 10B | 113 BPM | ||
Symphony No.1 in E Major, Op. 26: I. Lento | Alexander Scriabin, London Symphony Orchestra, Valery Gergiev | E♭ Major | 2 | 5B | 139 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: III. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | C Major | 4 | 8B | 150 BPM | ||
Sonatina No. 1, Op. 67: II. Largo | Jean Sibelius, Leif Ove Andsnes | F♯ Minor | 0 | 11A | 112 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM |