"Schubert: Mass in G Major, D. 167: Credo" by Franz Schubert, Lucia Popp, Elmar Schloter, Wolfgang Sawallisch, Bavarian Radio Symphony Orchestra had its release date on 1986. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 19 in the song's album "Schubert: Deutsche Messe". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Schubert: Mass in G Major, D. 167: Credo's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schubert: Mass in G Major, D. 167: Credo by Franz Schubert, Lucia Popp, Elmar Schloter, Wolfgang Sawallisch, Bavarian Radio Symphony Orchestra having a テンポ of 124 with a half-time of 62 テンポ and a double-time of 248 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice (Orphée et Euridice), Wq. 30 / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Janet Baker, English Chamber Orchestra, Raymond Leppard | D Major | 1 | 10B | 96 BPM | ||
Biber: Requiem a 15 in A Major: IV. Offertorium | Heinrich Ignaz Franz von Biber, Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra | B♭ Major | 1 | 6B | 82 BPM | ||
Symphony No. 9 in E minor, 'From the New World' B178 (Op. 95): II. Largo | Wolfgang Sawallisch | D♭ Major | 0 | 3B | 72 BPM | ||
Messe pour le sacre de Napoléon: III. Gloria, Laudamus te | Giovanni Paisiello, Sandrine Piau, Chantal Santon Jeffery, Éléonore Pancrazi, Mathias Vidal, Thomas Dolie, Chœur De Chambre De Namur, Le Concert de la Loge, Julien Chauvin | D Major | 2 | 10B | 76 BPM | ||
Ode for the Birthday of Queen Anne: Ode for the Birthday of Queen Anne: I. Solo "Eternal source of light divine" | George Frideric Handel, Akademie für Alte Musik Berlin, Andreas Scholl, Marcus Creed | D♭ Major | 1 | 3B | 85 BPM | ||
Rückert-Lieder: Liebst du um Schönheit | Gustav Mahler, Anne Sofie von Otter, NDR Elbphilharmonie Orchester, John Eliot Gardiner | C Major | 1 | 8B | 77 BPM | ||
Requiem: Requiem: 2. Aria (B). Quantus tremor | Johann Christian Bach, Thomas Bauer, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | B♭ Major | 1 | 6B | 108 BPM | ||
Gloria - Allegro (Di Molto) | Matthews, Munoz, Butterfield, Jeffrey Thomas, Arnold, American Bach Soloists | B♭ Major | 2 | 6B | 83 BPM | ||
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Benedictus | Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | E Major | 1 | 12B | 71 BPM | ||
La finta scema: Se spiegar potessi appiento (Vanesia) | Antonio Salieri, Diana Damrau, Jérémie Rhorer, Le Cercle De L'Harmonie | E Minor | 2 | 9A | 133 BPM |