Claudio Monteverdi / O. Rinuccini (t), Alfred Deller, Deller Consort's 'Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638: Lamento della Ninfa (sv163) -Part II: 'Amor', dicea, e'l piè' came out on May 19, 2009. The duration of Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638: Lamento della Ninfa (sv163) -Part II: 'Amor', dicea, e'l piè is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638: Lamento della Ninfa (sv163) -Part II: 'Amor', dicea, e'l piè's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 135 in Alfred Deller: Madrigals, Complete Deller Vol. 5 by Alfred Deller, Deller Consort. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638: Lamento della Ninfa (sv163) -Part II: 'Amor', dicea, e'l piè's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638: Lamento della Ninfa (sv163) -Part II: 'Amor', dicea, e'l piè by Claudio Monteverdi / O. Rinuccini (t), Alfred Deller, Deller Consort is Allegro (fast, quick, and bright), since this song has a tempo of 136 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerti grossi, Op. 6, Concerto Grosso No. 11 in A Major, HWV 329: I. Andante larghetto, e staccato | George Frideric Handel, Academy of Ancient Music, Andrew Manze | A♭ Major | 0 | 4B | 123 BPM | ||
Concerto for Recorder and Flute in E Minor, TWV 52:e1: IV. Presto | Georg Philipp Telemann, Gunther Holler, Konrad Hünteler, Cappella Coloniensis, Georg Fischer | E♭ Minor | 2 | 2A | 124 BPM | ||
Concerto a cinque No. 6, Op. 7: III. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Major | 4 | 3B | 118 BPM | ||
Sinfonia in C major: III. Allegrissimo | Domenico Scarlatti, Margret Köll/Europa Galante/Fabio Biondi, Europa Galante | F♯ Major | 3 | 2B | 77 BPM | ||
Mensa sonora / PARS I (In D Major): 5. Gavotte | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 2 | 3B | 81 BPM | ||
Sonata VII A Cinque In A Major: Adagio, Allegro, Allegro, Allegio, Adagio, Allegro, Adagio (Schmelzer) | Johann Heinrich Schelmzer, Masques, Olivier Fortin | A♭ Major | 1 | 4B | 112 BPM | ||
Symphony in F Major, Op. 2 No. 6 "Solomon": II. Larghetto | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 0 | 7B | 113 BPM | ||
Violin Sonata in B-flat Major, Op. 5 No. 2: II. Allegro – Adagio | Arcangelo Corelli, Enrico Onofri | A♭ Major | 1 | 4B | 134 BPM | ||
Concerto No.2 for Trumpet, 2 Oboes, Strings and Continuo in D: 1. Largo | Georg Philipp Telemann, Håkan Hardenberger, Celia Nicklin, Tess Miller, John Constable, Academy of St. Martin in the Fields, Iona Brown | D Major | 1 | 10B | 91 BPM | ||
Symphony No. 4 in C Major: I. Allegro | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | B Major | 1 | 1B | 124 BPM |