Tomaso Albinoni, Claudio Scimone, Pierre Pierlot, I Solisti Veneti made "Albinoni: Oboe Concerto in G Minor, Op. 9 No. 8: II. Adagio" available on January 1, 1968. The duration of Albinoni: Oboe Concerto in G Minor, Op. 9 No. 8: II. Adagio is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Albinoni: Oboe Concerto in G Minor, Op. 9 No. 8: II. Adagio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 18 in Albinoni: Concertos pour hautbois, violon et continuo, Op. 9 Nos. 7 - 12 by Tomaso Albinoni, Pierre Pierlot, Piero Toso, I Solisti Veneti, Claudio Scimone. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Albinoni: Oboe Concerto in G Minor, Op. 9 No. 8: II. Adagio is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Albinoni: Oboe Concerto in G Minor, Op. 9 No. 8: II. Adagio by Tomaso Albinoni, Claudio Scimone, Pierre Pierlot, I Solisti Veneti is Andante (at a walking pace), since this song has a tempo of 104 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kommer intet Mollberg | Bellman Concerto Ensemble, Tomas Blank In Harmony | A Minor | 1 | 8A | 79 BPM | ||
Halljuk (Hear! Hear!) Csardas | Márk Rózsavölgyi, Budapest Strings, Karoly Botvay | D Minor | 1 | 7A | 172 BPM | ||
Overture in B-Flat Major, Op. 8, No. 1: I. Allegro | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | F Major | 2 | 7B | 155 BPM | ||
莫札特,薩爾茲堡嬉遊曲,作品 Kv 136,快板 | 台北愛樂管弦樂團, 亨利梅哲 | A♭ Major | 1 | 4B | 103 BPM | ||
Brandenburg Concerto No. 1 in F, BWV 1046: 4. Menuet - Trio - Polonaise | Johann Sebastian Bach, Chamber Orchestra of Europe | D Major | 1 | 10B | 67 BPM | ||
Sinfonia in E Major: I. Gustoso | Johan Helmich Roman, Camerata Nordica, Terje Tonnesen | B♭ Major | 2 | 6B | 113 BPM | ||
Telemann: Trumpet Concerto in D Major, TWV 51:D7: II. Grave | Georg Philipp Telemann, Philharmonia Orchestra, Leslie Pearson, Maurice André, Riccardo Muti | B Minor | 0 | 10A | 50 BPM | ||
Concerto for Oboe, Strings and Basso Continuo in D Minor, TWV 51:d1: I. Adagio | Georg Philipp Telemann, Ensemble 18+, Vilem Veverka, Barbara Maria Willi | D Minor | 1 | 7A | 69 BPM | ||
L'Olimpiade: Sinfonia | Domenico Cimarosa, Christophe Rousset, Les Talens Lyriques | B♭ Major | 3 | 6B | 94 BPM | ||
Trumpet Sonata, Op. 3, No. 10: IV. Presto | Andrea Grossi, Ede Inhoff, Hungarian State Opera Chamber Orchestra | D Major | 1 | 10B | 96 BPM |