"Telemann: Trumpet Concerto in D Major, TWV 51:D7: II. Grave" by Georg Philipp Telemann, Philharmonia Orchestra, Leslie Pearson, Maurice André, Riccardo Muti was released on January 1, 1985. The duration of Telemann: Trumpet Concerto in D Major, TWV 51:D7: II. Grave is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Telemann: Trumpet Concerto in D Major, TWV 51:D7: II. Grave's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 12 in Bach: Brandenburg Concerto No. 2 - Haydn, Telemann & Torelli: Trumpet Concertos by Maurice André, Philharmonia Orchestra, Riccardo Muti. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Telemann: Trumpet Concerto in D Major, TWV 51:D7: II. Grave is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Telemann: Trumpet Concerto in D Major, TWV 51:D7: II. Grave by Georg Philipp Telemann, Philharmonia Orchestra, Leslie Pearson, Maurice André, Riccardo Muti is Lento (slowly), since this song has a tempo of 50 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sei Concerti in sette parti: No. 3 in F Major: V. Allegro | Alessandro Scarlatti, Concerto de' Cavalieri, Marcello di Lisa | B Major | 5 | 1B | 82 BPM | ||
Overture (Suite) No. 2 in B Minor, BWV 1067: V. Polonaise - Double | Johann Sebastian Bach, Akademie für Alte Musik Berlin | B♭ Minor | 0 | 3A | 125 BPM | ||
Concerto in D Minor for Oboe, Strings and Basso continuo: III. Presto | Alessandro Marcello, Frans Brüggen, L'arpa Festante | D♭ Minor | 3 | 12A | 111 BPM | ||
Sonata in G, Op.1, No.9: 1. Allegro | Arcangelo Corelli, Monica Huggett, Alison Bury, Hopkinson Smith, Ton Koopman, Jaap Ter Linden | D♭ Major | 1 | 3B | 79 BPM | ||
Concerto in D Major, Op. 6 No. 6: I. Largo | Charles Avison, Café Zimmermann | D♭ Major | 1 | 3B | 108 BPM | ||
No. 2: Concerto Secondo: II. Affettuoso | Georg Philipp Telemann, Gustav Leonhardt, Barthold Kuijken, Wieland Kuijken, Sigiswald Kuijken | F Major | 0 | 7B | 72 BPM | ||
Overture for Flute and Bassoon in G Major: VII. Air | Christoph Graupner, Pál Németh, Paolo Tognon, Capella Savaria | F♯ Major | 2 | 2B | 131 BPM | ||
Flute Concerto in G Major, QV 5:165: III. Presto | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | F Major | 1 | 7B | 107 BPM | ||
Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638 - If my Celia could persuade | Claudio Monteverdi, Alfred Deller, Deller Consort | F Minor | 3 | 4A | 92 BPM | ||
Overture (Suite) In C Major, TWV 55: C6: II. Harlequinade | Cologne Chamber Orchestra, Georg Philipp Telemann | C Major | 2 | 8B | 124 BPM |