"Brandenburg Concerto No. 1 in F, BWV 1046: 4. Menuet - Trio - Polonaise" by Johann Sebastian Bach, Chamber Orchestra of Europe was released on January 1, 1996. Since Brandenburg Concerto No. 1 in F, BWV 1046: 4. Menuet - Trio - Polonaise is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Johann Sebastian Bach, Douglas Boyd, Chamber Orchestra of Europe's "J.S. Bach: Brandenburg Concertos" album is number 4 out of 28. On top of that, Germany appears to be the country where this track was created. Brandenburg Concerto No. 1 in F, BWV 1046: 4. Menuet - Trio - Polonaise is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Brandenburg Concerto No. 1 in F, BWV 1046: 4. Menuet - Trio - Polonaise by Johann Sebastian Bach, Chamber Orchestra of Europe to be Adagio (slowly with great expression) because the track has a tempo of 67 テンポ, a half-time of 34テンポ, and a double-time of 134 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture in F Major, Op. 8, No. 3: II. Andante | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 0 | 6B | 95 BPM | ||
Symphony No. 67 in F Major Hob. I:67: 2. Adagio | Joseph Haydn, Norichika Iimori, Japan Century Symphony Orchestra | E♭ Major | 1 | 5B | 135 BPM | ||
Symphony in F Major, F. 28: III. Presto | Josef Mysliveček, Matthias Bamert, London Mozart Players | D Major | 0 | 10B | 87 BPM | ||
Overture (Suite) In D Major, TWV 55:D15: V. Rejouissance | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 3 | 10B | 140 BPM | ||
Brandenburg Concerto No. 5 in D Major, BWV 1050: 1. Allegro | Johann Sebastian Bach, Chamber Orchestra of Europe, Thierry Fischer, Marieke Blankestijn, Ian Watson | G Major | 0 | 9B | 74 BPM | ||
Sammartini: Flute Concerto in F Major: III. Allegro assai | Giuseppe Sammartini, Jean-Pierre Rampal, Karl Ristenpart, Kammerorchester des Saarländischen Rundfunks | C Major | 1 | 8B | 67 BPM | ||
Concerto No. 5 in B-Flat Major, SF 944 "La Cetra": III. Presto ma non molto | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso | A Major | 4 | 11B | 115 BPM | ||
Violin Concerto No. 1 in A minor, BWV 1041: 3. Allegro assai | Johann Sebastian Bach, Janine Jansen, Boris Brovtsyn, Cindy Albracht, Frederik Paulsson, Julia-Maria Kretz, Tijmen Huisingh, Monika Urbonaite, Nimrod Guez, Pauline Sachse, Maarten Jansen, Rick Stotijn, Jan Jansen | A Minor | 3 | 8A | 64 BPM | ||
Symphony in A Major, Brown A4: III. Allegro | Karl von Ordóñez, Toronto Chamber Orchestra, Kevin Mallon | F Major | 0 | 7B | 80 BPM | ||
Flute Sonata in E Minor, BWV 1034: IV. Allegro | Johann Sebastian Bach, Petri Alanko, Jukka Rautasalo, Anssi Mattila | G Major | 2 | 9B | 123 BPM |