Claudio Monteverdi, Tafelmusik Baroque Orchestra, Jeanne Lamon made "Ciaccona (After "Zefiro torna e di soavi accenti", SV 251)" available on March 27, 2012. The duration of Ciaccona (After "Zefiro torna e di soavi accenti", SV 251) is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Ciaccona (After "Zefiro torna e di soavi accenti", SV 251)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "The Galileo Project: Music of the Spheres". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Canada. In terms of popularity, Ciaccona (After "Zefiro torna e di soavi accenti", SV 251) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Ciaccona (After "Zefiro torna e di soavi accenti", SV 251) by Claudio Monteverdi, Tafelmusik Baroque Orchestra, Jeanne Lamon having a テンポ of 114 with a half-time of 57 テンポ and a double-time of 228 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A miei pianti al fine un dì, F7.32 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón | G Major | 1 | 9B | 130 BPM | ||
Evening Hymn, Z.193 | Henry Purcell, Emma Kirkby, Anthony Rooley, Christopher Hogwood | E Minor | 1 | 9A | 71 BPM | ||
Madrigals, Book 9: Non voglio amare, SV 172 | Claudio Monteverdi, Le Nuove Músiche, Krijn Koetsveld, Falco van Loon, Joao Moreiro | C Major | 1 | 8B | 72 BPM | ||
Mit Fried und Freud ich fahr dahin, BuxWV 76 | Dietrich Buxtehude, Anima Eterna, Collegium Vocale, Jos Van Immerseel | D Minor | 1 | 7A | 56 BPM | ||
Madrigali Erotici E Spirituali: Quel Augellin Che Canta | Consort Of Musicke, Evelyn Tubb, Mary Nichols, Simon Grant, Joseph Cornwell, Emma Kirkby, Claudio Monteverdi, Gabriele Micheli, Andrew King | D Minor | 1 | 7A | 78 BPM | ||
Vespro della Beata Vergine, SV 206: XIIIh. Magnificat "Esurientes implevit bonis" | Claudio Monteverdi, Philippe Herreweghe, Dorothee Mields, Barbora Kabátková, Collegium Vocale Gent | G Major | 1 | 9B | 115 BPM | ||
Falconieri / Orch Tufvesson: Il primo libro di canzone, sinfonie, fantasie: XV. Passacalle (Orch. Tufvesson) | Andrea Falconieri, Nathalie Stutzmann, Orfeo 55 | F♯ Minor | 3 | 11A | 118 BPM | ||
Lachrimae Antiquae Novae from Lachrimae, or Seaven Teares | John Dowland, Fretwork | G Minor | 0 | 6A | 113 BPM | ||
Byrd: Ye Sacred Muses | William Byrd, David James, London Baroque | B Major | 0 | 1B | 85 BPM | ||
Surrexit Christus hodie | Samuel Scheidt, Vox Luminis, Lionel Meunier | G Minor | 1 | 6A | 79 BPM |