Consort Of Musicke, Evelyn Tubb, Mary Nichols, Simon Grant, Joseph Cornwell, Emma Kirkby, Claudio Monteverdi, Gabriele Micheli, Andrew King's 'Madrigali Erotici E Spirituali: Quel Augellin Che Canta' came out on December 20, 2006. The duration of Madrigali Erotici E Spirituali: Quel Augellin Che Canta is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Madrigali Erotici E Spirituali: Quel Augellin Che Canta's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Consort Of Musicke's "Madrigals" album is number 1 out of 15. Madrigali Erotici E Spirituali: Quel Augellin Che Canta is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Madrigali Erotici E Spirituali: Quel Augellin Che Canta by Consort Of Musicke, Evelyn Tubb, Mary Nichols, Simon Grant, Joseph Cornwell, Emma Kirkby, Claudio Monteverdi, Gabriele Micheli, Andrew King to be Andante (at a walking pace) because the track has a tempo of 78 テンポ, a half-time of 39テンポ, and a double-time of 156 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sheppard: Missa Cantate - 1a. Gloria in excelsis Deo | John Sheppard, The Tallis Scholars, Peter Phillips | G Major | 2 | 9B | 87 BPM | ||
Divini occhi sereni | Philippe Verdelot, Profeti Della Quinta | D♭ Minor | 1 | 12A | 83 BPM | ||
The Lady of Sussex Delight | Tobias Hume, Guido Balestracci, Les Basses Réunies, Bruno Cocset | E Major | 1 | 12B | 92 BPM | ||
Tenebrae Responsories, Feria quinta: V. Judas mercator pessimus | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | C Major | 1 | 8B | 70 BPM | ||
Missa Hercules dux Ferrariae: I. Kyrie | Josquin des Prez, Odhecaton, Paolo da Col | G Major | 2 | 9B | 69 BPM | ||
Ay, mi Dios | Pedro de Cristo, Coro de Câmara de Lisboa, Teresita Gutierrez Marques | B Minor | 7 | 10A | 97 BPM | ||
Ojos, pues me desdeñais | José Marin, Cappella Mediterranea, Leonardo García-Alarcón, Mariana Flores | B♭ Minor | 0 | 3A | 110 BPM | ||
Vezzosi augelli | Giaches de Wert, La Venexiana, Claudio Cavina | F♯ Major | 1 | 2B | 70 BPM | ||
O Jove, from stately throne | Richard Farrant, Catherine King, The Rose Consort Of Viols | D♭ Minor | 0 | 12A | 78 BPM | ||
Dances: Ecce quam bonum | Anthony Holborne, Guildhall Waits, Trevor Jones, Consort Of Musicke, Anthony Rooley | C Minor | 0 | 5A | 114 BPM |