Stravinsky: The Rite of Spring, Pt. 2 "The Sacrifice": Introduction

Igor Stravinsky, City Of Birmingham Symphony Orchestra, Sir Simon Rattle
Stravinsky - Ballets
4:54 1989年9月11日
テンポ
115
キー
D Minor
キャメロットミュージックキー
7A

リンクを埋め込む

共有

Stravinsky: The Rite of Spring, Pt. 2 "The Sacrifice": Introduction - Igor Stravinsky, City Of Birmingham Symphony Orchestra, Sir Simon Rattle 情報

音響性
94%
ダンサビリティ
50%
エネルギー
40%
手段性
90%
活気
19%
ラウドネス
71%
話し言葉
10%
価数
18%
人気
ラウドネス
-17.325 dB

まとめ

"Stravinsky: The Rite of Spring, Pt. 2 "The Sacrifice": Introduction" by Igor Stravinsky, City Of Birmingham Symphony Orchestra, Sir Simon Rattle was released on September 11, 1989. With this song being about 5 minutes long, at 4:54, "Stravinsky: The Rite of Spring, Pt. 2 "The Sacrifice": Introduction" by Igor Stravinsky, City Of Birmingham Symphony Orchestra, Sir Simon Rattle is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 17 in the song's album "Stravinsky - Ballets". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Stravinsky: The Rite of Spring, Pt. 2 "The Sacrifice": Introduction is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Stravinsky: The Rite of Spring, Pt. 2 "The Sacrifice": Introduction テンポ

With Stravinsky: The Rite of Spring, Pt. 2 "The Sacrifice": Introduction by Igor Stravinsky, City Of Birmingham Symphony Orchestra, Sir Simon Rattle having a テンポ of 115 with a half-time of 58 テンポ and a double-time of 230 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.

Stravinsky: The Rite of Spring, Pt. 2 "The Sacrifice": Introduction キー

This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Symphonie fantastique, Op. 14, H 48: II. Un Bal by Hector Berlioz, London Symphony Orchestra, Sir Colin DavisSymphonie fantastique, Op. 14, H 48: II. Un BalHector Berlioz, London Symphony Orchestra, Sir Colin DavisA Major111B113 BPM
Tristan und Isolde, WWV 90: Prelude To Act I by Richard Wagner, Gewandhausorchester Leipzig, Andris NelsonsTristan und Isolde, WWV 90: Prelude To Act IRichard Wagner, Gewandhausorchester Leipzig, Andris NelsonsA Minor18A79 BPM
Sinfonietta: 5. Andante con moto - Maestoso - Tempo I - Allegretto - Allegro - Maestoso - Adagio by Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael KubelikSinfonietta: 5. Andante con moto - Maestoso - Tempo I - Allegretto - Allegro - Maestoso - AdagioLeoš Janáček, Bavarian Radio Symphony Orchestra, Rafael KubelikE♭ Minor32A60 BPM
Suite Oriental (Suite Árabe): II. Serenata by Enrique Granados, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezSuite Oriental (Suite Árabe): II. SerenataEnrique Granados, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezG Major09B133 BPM
Suite for Violin and Orchestra in A Minor, Op.10 (Suite im alten Stil): II. Adagio by Christian Sinding, Itzhak Perlman, André Previn, Pittsburgh Symphony OrchestraSuite for Violin and Orchestra in A Minor, Op.10 (Suite im alten Stil): II. AdagioChristian Sinding, Itzhak Perlman, André Previn, Pittsburgh Symphony OrchestraA Minor28A108 BPM
Piano Concerto No.4 in G minor, Op.40: 1. Allegro vivace (Alla breve) by Sergei Rachmaninoff, Vladimir Ashkenazy, London Symphony Orchestra, André PrevinPiano Concerto No.4 in G minor, Op.40: 1. Allegro vivace (Alla breve)Sergei Rachmaninoff, Vladimir Ashkenazy, London Symphony Orchestra, André PrevinE♭ Major15B67 BPM
Concerto for Orchestra, Sz. 116: I. Introduzione (Andante non troppo - Allegro vivace) by Béla Bartók, Chicago Symphony Orchestra, Pierre BoulezConcerto for Orchestra, Sz. 116: I. Introduzione (Andante non troppo - Allegro vivace)Béla Bartók, Chicago Symphony Orchestra, Pierre BoulezD Major110B73 BPM
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio by Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen BalderstonSchoenberg: Verklärte Nacht, Op. 4: IV. AdagioArnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen BalderstonD Major110B82 BPM
The Rake's Progress: Act III Scene 1: Duet: You love him, seek to set him right… (Baba, Anne, Sellem, Chorus) by Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert CraftThe Rake's Progress: Act III Scene 1: Duet: You love him, seek to set him right… (Baba, Anne, Sellem, Chorus)Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert CraftB♭ Minor13A71 BPM
Götterdämmerung - Concert version / Dritter Aufzug: Finale by Richard Wagner, Wiener Philharmoniker, Sir Georg SoltiGötterdämmerung - Concert version / Dritter Aufzug: FinaleRichard Wagner, Wiener Philharmoniker, Sir Georg SoltiD♭ Major33B136 BPM
ISRC
GBAYC8700666
レコードレーベル
L-M Records/RCA Records