"Concerto for Orchestra, Sz. 116: I. Introduzione (Andante non troppo - Allegro vivace)" by Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez was released on January 1, 1993. Since Concerto for Orchestra, Sz. 116: I. Introduzione (Andante non troppo - Allegro vivace) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 9 in Bartók: Concerto for Orchestra; Orchestral Pieces, Op. 12 by Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Concerto for Orchestra, Sz. 116: I. Introduzione (Andante non troppo - Allegro vivace) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto for Orchestra, Sz. 116: I. Introduzione (Andante non troppo - Allegro vivace) by Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez is Adagio (slowly with great expression), since this song has a tempo of 73 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Oiseau de feu, K010: X. Khorovod (Ronde) des princesses | Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez | B Major | 0 | 1B | 142 BPM | ||
Symphony No. 7 in A Major, Op. 92: 3. Presto - Assai meno presto | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | D Major | 2 | 10B | 69 BPM | ||
Violin Concerto No. 2, Sz 112: Violin Concerto No. 2, Sz 112: II. Andante tranquillo | Béla Bartók, Isabelle Faust, Daniel Harding, Swedish Radio Symphony Orchestra | D♭ Major | 0 | 3B | 123 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: II. Scherzo | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | G Minor | 3 | 6A | 89 BPM | ||
Feu d'artifice, Op. 4 | Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez | A♭ Major | 0 | 4B | 83 BPM | ||
The Miraculous Mandarin, BB 82, Sz. 73 (Op. 19): Allegro: Introduction | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D♭ Minor | 4 | 12A | 59 BPM | ||
Pini di Roma, P. 141: I. I pini di Villa Borghese | Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli | G Minor | 1 | 6A | 65 BPM | ||
Scythian Suite, Op. 20: III. Night | Sergei Prokofiev, Chicago Symphony Orchestra, Claudio Abbado | C Major | 0 | 8B | 178 BPM | ||
Symphony No. 7 in C Major, Op. 60 "Leningrad": II. Moderato (poco allegretto) - Live | Dmitri Shostakovich, Chicago Symphony Orchestra, Leonard Bernstein | E♭ Major | 1 | 5B | 128 BPM | ||
Dvorák: Cello Concerto in B Minor, Op. 104, B. 191: III. Finale (Allegro moderato) | Antonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra | B Minor | 2 | 10A | 97 BPM |