"Handel: Ode for the Birthday of Queen Anne, HWV 74: "Eternal Source of Light Divine"" by George Frideric Handel, Jupiter, Thomas Dunford, Iestyn Davies, Lea Desandre was released on November 18, 2022. The duration of Handel: Ode for the Birthday of Queen Anne, HWV 74: "Eternal Source of Light Divine" is about 3 minutes long, at 3:10. Based on our data, "Handel: Ode for the Birthday of Queen Anne, HWV 74: "Eternal Source of Light Divine"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 22 in Eternal Heaven by George Frideric Handel, Thomas Dunford, Jupiter, Lea Desandre, Iestyn Davies. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Handel: Ode for the Birthday of Queen Anne, HWV 74: "Eternal Source of Light Divine" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Handel: Ode for the Birthday of Queen Anne, HWV 74: "Eternal Source of Light Divine" by George Frideric Handel, Jupiter, Thomas Dunford, Iestyn Davies, Lea Desandre is Lento (slowly), since this song has a tempo of 59 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ave Maria, WAB 6 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | F Major | 0 | 7B | 65 BPM | ||
Baisiez moy, NJE 28.4 | Josquin des Prez, Graindelavoix, Björn Schmelzer | F♯ Minor | 2 | 11A | 88 BPM | ||
Auf dem Wasser zu singen, Op. 72, D. 774 | Franz Schubert, Philippe Sly, John Charles Britton | F♯ Minor | 0 | 11A | 84 BPM | ||
Orfeo ed Euridice, Wq. 30, Act III, Scene 1: "Che faro senza Euridice ?" (Orfeo) | Christoph Willibald Gluck, James Bowman, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire | F♯ Major | 1 | 2B | 112 BPM | ||
Diverse bizzarrie sopra la Vecchia Sarabanda ò pur Ciaccona | Nicola Matteis, Gli Incogniti, Amandine Beyer | B Major | 3 | 1B | 79 BPM | ||
L'incoronazione di Poppea, SV 308 / Act 3: Pur ti miro | Claudio Monteverdi, Magdalena Kozená, Anna Prohaska, La Cetra Barockorchester Basel, Andrea Marcon | G Major | 0 | 9B | 78 BPM | ||
L'incoronazione di Poppea, SV 308, Atto III, Scena 8: Pur ti miro - pur ti godo (Poppea, Nerone) - Live | Claudio Monteverdi, Sonya Yoncheva, Les Arts Florissants, Kate Lindsey, William Christie | G Major | 1 | 9B | 86 BPM | ||
Handel: Theodora, HWV 68, Act 2: "With Darkness Deep, as Is My Woe" (Theodora) | George Frideric Handel, Jupiter, Thomas Dunford, Lea Desandre | E♭ Minor | 3 | 2A | 102 BPM | ||
Cleopatra e Cesare (Act 1): Tra le procelle assorto | Carl Heinrich Graun, Jeanine De Bique, Concerto Köln, Luca Quintavalle | E♭ Major | 2 | 5B | 136 BPM | ||
Dies iræ, S. 31: Dies iræ | Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé | B Major | 2 | 1B | 91 BPM |