Carl Heinrich Graun, Jeanine De Bique, Concerto Köln, Luca Quintavalle's 'Cleopatra e Cesare (Act 1): Tra le procelle assorto' came out on October 22, 2021. Since Cleopatra e Cesare (Act 1): Tra le procelle assorto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Jeanine De Bique, Concerto Köln, Luca Quintavalle's "Mirrors" album is number 1 out of 13. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Cleopatra e Cesare (Act 1): Tra le procelle assorto's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Cleopatra e Cesare (Act 1): Tra le procelle assorto by Carl Heinrich Graun, Jeanine De Bique, Concerto Köln, Luca Quintavalle to be Allegro (fast, quick, and bright) because the track has a tempo of 136 テンポ, a half-time of 68テンポ, and a double-time of 272 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Platée, Acte 2 Scène 5: Récit "Formons les plus brillants concerts" (La Folie, Mommuss, Mercure, Cithéron, le Chœur) | Jean-Philippe Rameau, Les Arts Florissants, William Christie, Jeanine De Bique, Marc Mauillon, Cyril Auvity, Arnold Schoenberg Chor | G Major | 3 | 9B | 70 BPM | ||
Sonata in C Minor, Jung III.2.B: I. Largo | Johann Georg Pisendel, Concerto Köln, Mayumi Hirasaki | B Minor | 1 | 10A | 96 BPM | ||
Dido and Aeneas / Act 3: "Thy Hand, Belinda...When I Am Laid In Earth" | Henry Purcell, Barbara Bonney, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 0 | 11A | 164 BPM | ||
Le Nozze di Figaro, K. 492: Atto terzo. Scene 11-14. N.23 Finale Figaro, Susanna, il Conte, la Contessa, 2 Ragazze, Coro "Ecco la marcia" | Wolfgang Amadeus Mozart, Collegium Vocale Gent, Concerto Köln, Elisabeth Rapp, Lorenzo Regazzo, Patrizia Ciofi, René Jacobs, Simon Keenlyside, Véronique Gens, Yeree Suh | G Major | 1 | 9B | 117 BPM | ||
Rossi / Arr. Pluhar: L'Orfeo, Act 2: "Mio ben" (Eurydice) | Luigi Rossi, Christina Pluhar, Véronique Gens | D Minor | 1 | 7A | 119 BPM | ||
L'Orfeo / Act III: "Possente spirto" | Claudio Monteverdi, Anthony Rolfe Johnson, English Baroque Soloists, John Eliot Gardiner | B Minor | 1 | 10A | 74 BPM | ||
Dall'Abaco : Concerti a quattro da chiesa Op.2 [1712], Concerto No.4 in A minor : I Aria | Evaristo Felice Dall'Abaco, Concerto Köln | A♭ Major | 3 | 4B | 83 BPM | ||
Andante | Antoine Dauvergne, Concerto Köln | E Major | 1 | 12B | 76 BPM | ||
Le Nozze di Figaro, K. 492: Atto primo. Scena 8. N.10 Aria Figaro "Non più andrai" | Wolfgang Amadeus Mozart, Concerto Köln, Lorenzo Regazzo, René Jacobs | G Major | 2 | 9B | 128 BPM | ||
Les Pêcheurs de perles, WD 13, Act I: Au fond du temple saint | Georges Bizet, Alexandre Bloch, Orchestre National de Lille, Cyrille Dubois, Florian Sempey, Les Cris De Paris | B♭ Major | 1 | 6B | 101 BPM |