Antoine Dauvergne, Concerto Köln made "Andante" available on 1994. The duration of Andante is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Andante's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 18 in Dauvergne - Concerts de simphonies by Antoine Dauvergne, Concerto Köln. Andante is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Andante by Antoine Dauvergne, Concerto Köln is Adagio (slowly with great expression), since this song has a tempo of 76 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Airs for the Summer: Veronica: I. Aria: Largo affettuoso | James Oswald, The Broadside Band | D♭ Minor | 2 | 12A | 93 BPM | ||
Concerto grosso in B-Flat Major, 1 No.3: IV. | Pietro Locatelli, Orchestre De Chambre De Toulouse, Gilles Colliard | E Major | 4 | 12B | 146 BPM | ||
Stabat Mater in F Minor, G. 532: IV. Quis est homo. Adagio assai - Recitativo | Luigi Boccherini, Núria Rial, Orchester Le Phenix | G Major | 3 | 9B | 150 BPM | ||
Violin Sonata in F Major, Op. 5 No. 4: II. Allegro (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
La Vénitienne, Acte III, Scène III. Récitatif (Isabelle, Octave, Léonore): Calmés le transport qui vous guide | Antoine Dauvergne, Les Agrémens, Guy Van Waas, Chantal Santon Jeffery, Mathias Vidal, Katia Velletaz | A♭ Major | 1 | 4B | 95 BPM | ||
Te Deum, ZWV145: Te Deum laudamus | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora | A♭ Major | 2 | 4B | 121 BPM | ||
Le Pouvoir de l'Amour, Prologue Scène 4: Air pour les jeux et les plaisirs | Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset | C Minor | 2 | 5A | 96 BPM | ||
Les Eléments: X. Caprice | Jean-Féry Rebel, Akademie für Alte Musik Berlin, Georg Kallweit, Midori Seiler | D♭ Major | 3 | 3B | 76 BPM | ||
Hercule mourant: Act V Scene 4: Ô jour fatal ! Ô mort cruelle ! | Antoine Dauvergne, Christophe Rousset, Les Chantres du Centres de musique baroques de Versailles, Emiliano Gonzales Toro, Julie Fuchs, Andrew Foster-Williams, Les Talens Lyriques | E Minor | 2 | 9A | 100 BPM | ||
Hercule mourant: Act II Scene 3: Mon fils, que tes vaisseaux, avant la fin du jour | Antoine Dauvergne, Christophe Rousset, Véronique Gens, Les Chantres du Centres de musique baroques de Versailles, Les Talens Lyriques | A♭ Major | 1 | 4B | 84 BPM |