"Passio et Resurrectio: V. Passio domini nostri Jesu Christi: Alli vint'ore steva addenucchiata" by Sergio Rendine, Nando Citarella, Damiana Pinti, Emanuela Loffredo, Elio Tacconelli, Lucilla Galeazzi, Pierpaolo Pecoriello, Maurizio Trippitelli, Fabio D’Orazio, Chieti Marrucino Opera Chorus, Chieti Marrucino Opera Orchestra, Marzio Conti was released on August 1, 2005. With Passio et Resurrectio: V. Passio domini nostri Jesu Christi: Alli vint'ore steva addenucchiata being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 12 in the song's album "Rendine: Passio Et Resurrectio". In this album, this song's track order is #5. In terms of popularity, Passio et Resurrectio: V. Passio domini nostri Jesu Christi: Alli vint'ore steva addenucchiata is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Passio et Resurrectio: V. Passio domini nostri Jesu Christi: Alli vint'ore steva addenucchiata by Sergio Rendine, Nando Citarella, Damiana Pinti, Emanuela Loffredo, Elio Tacconelli, Lucilla Galeazzi, Pierpaolo Pecoriello, Maurizio Trippitelli, Fabio D’Orazio, Chieti Marrucino Opera Chorus, Chieti Marrucino Opera Orchestra, Marzio Conti having a テンポ of 117 with a half-time of 58 テンポ and a double-time of 234 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Offenbach : La Périchole : Act 1 "Vous a-t-on dit souvent" [Piquillo, La Périchole] | Jacques Offenbach, Alain Lombard, Orchestre Philharmonique De Strasbourg | E Major | 4 | 12B | 79 BPM | ||
La traviata: "Addio del passato" | Parma Brass Quintet | A Minor | 2 | 8A | 95 BPM | ||
Bellini: Norma, Act 1: "Meco all'altar di Venere" (Pollione) | Vincenzo Bellini, Franco Corelli, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | G Major | 3 | 9B | 75 BPM | ||
I' M'arricordo 'E Napule | Luigi Denza, Francesco Paolo Tosti, Pasquale Mario Costa, Emanuele Nutile, Nicola Valente, Giambattista De Curtis, Rodolfo Falvo, Ernesto Tagliaferri, Joseph Giuseppe Gioé, Manuel Penella, Salvatore D'esposito, Domenico Modugno, Sergio Rendine, Philharmonia Orchestra, Giancarlo Guarino | D Major | 1 | 10B | 48 BPM | ||
Escena final - Primer acto, Pt. 3 | Ángeles Ottein, J.Ferre, A. Vela, O. Nieto | E Major | 3 | 12B | 146 BPM | ||
La tarantella | Sergio Bruni | G Major | 4 | 9B | 90 BPM | ||
Mefistofele, Act I, Scene 2: Dai campi, dai prati | Arrigo Boito, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F Major | 1 | 7B | 170 BPM | ||
Puccini: Madama Butterfly, Act 2: "Qui troncarla conviene" (Butterfly, Sharpless) | Giacomo Puccini, Maria Callas, Mario Borriello, Herbert von Karajan, Orchestra Del Teatro Alla Scala, Milano | A Minor | 1 | 8A | 162 BPM | ||
Granada | Juan Antonio de Dompablo | D Major | 4 | 10B | 78 BPM | ||
El Rey Que Rabió: "Terceto: Mi amor" - Remastered | Miguel Ramos Carrión, Vital Aza, Ruperto Chapí, Pilar Lorengar, Tony Rosado, Carlos Munguia, Ataúlfo Argenta, Jose Perera, Julian Perera, Gran Orquesta Sinfonica | B♭ Major | 5 | 6B | 116 BPM |