Vincenzo Bellini, Franco Corelli, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin's 'Bellini: Norma, Act 1: "Meco all'altar di Venere" (Pollione)' came out on 1961. The duration of Bellini: Norma, Act 1: "Meco all'altar di Venere" (Pollione) is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Bellini: Norma, Act 1: "Meco all'altar di Venere" (Pollione)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 44 in Bellini: Norma (1960 - Serafin) - Callas Remastered by Vincenzo Bellini, Maria Callas. Bellini: Norma, Act 1: "Meco all'altar di Venere" (Pollione) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bellini: Norma, Act 1: "Meco all'altar di Venere" (Pollione) by Vincenzo Bellini, Franco Corelli, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin is Adagio (slowly with great expression), since this song has a tempo of 75 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Semiramide / Act 1: Alle più calde immagini | Gioachino Rossini, Dame Joan Sutherland, Marilyn Horne, London Symphony Orchestra, Richard Bonynge | E♭ Major | 2 | 5B | 86 BPM | ||
Il Barbiere di Siviglia: Ecco, ridente in cielo - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | C Major | 1 | 8B | 126 BPM | ||
La Bohème / Act 1: "Che gelida manina" | Jonas Kaufmann, Giacomo Puccini, Prague Philharmonic Orchestra, Marco Armiliato | A♭ Major | 3 | 4B | 68 BPM | ||
Giordano : Andrea Chénier : Act 4 "Come un bel dì di maggio" [Andrea Chénier] | Umberto Giordano, José Cura, Philharmonia Orchestra | D♭ Minor | 2 | 12A | 84 BPM | ||
Puccini: Madama Butterfly, Act 1: "Sorride Vostro Onore?" (Suzuki, Pinkerton, Goro, Sharpless) | Giacomo Puccini, Antonio Pappano, Enkelejda Shkosa, Fabio Maria Capitanucci, Gregory Bonfatti, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia | C Major | 1 | 8B | 115 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 2: "Ma di’... l’amato giovane quale fra noi si noma?"..."Oh non tremare " | Vincenzo Bellini, Cecilia Bartoli, Sumi Jo, Orchestra La Scintilla, Giovanni Antonini | C Major | 3 | 8B | 135 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | C Major | 2 | 8B | 90 BPM | ||
La Bohème: Si, mi chiamano Mimì | Mirella Freni, Vienna Volksoper Orchestra, Argeo Quadri | D Major | 1 | 10B | 104 BPM | ||
Norma / Act 1: Ah! bello a me ritorna | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | F Major | 2 | 7B | 78 BPM | ||
Mozart: Così fan tutte, K. 588, Act 1: Terzettino. "Soave sia il vento" (Fiordiligi, Dorabella, Don Alfonso) | Wolfgang Amadeus Mozart, Karl Böhm, Christa Ludwig, Elisabeth Schwarzkopf, Heinrich Schmidt, Walter Berry, Philharmonia Orchestra | E Major | 1 | 12B | 124 BPM |