Domenico Martuzzi, Luciano Pavarotti, Henry Mancini, Unknown Orchestra's 'A Gramadora' had a release date set for January 1, 1984. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Luciano Pavarotti, Unknown Orchestra, Henry Mancini's "Mamma" album is number 13 out of 16. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, A Gramadora is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of A Gramadora by Domenico Martuzzi, Luciano Pavarotti, Henry Mancini, Unknown Orchestra to be Andante (at a walking pace) because the track has a tempo of 93 テンポ, a half-time of 46テンポ, and a double-time of 186 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Forse non fu | Igor Krutoy, Anna Netrebko, William Ross, Session Orchestra Los Angeles | G Major | 6 | 9B | 135 BPM | ||
L'ultima canzone | Francesco Paolo Tosti, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba | D Major | 2 | 10B | 72 BPM | ||
Live Like Horses - Studio Version | Elton John, Luciano Pavarotti | G Major | 2 | 9B | 134 BPM | ||
La traviata / Act 2: "Annina, donde vieni?" - "Oh mio rimorso!" | Giuseppe Verdi, Rolando Villazón, Diane Pilcher, Wiener Philharmoniker, Carlo Rizzi | C Major | 2 | 8B | 84 BPM | ||
Beatrice di Tenda / Act 2: Angiol di pace - Live In New York / 1981 | Vincenzo Bellini, Dame Joan Sutherland, Luciano Pavarotti, Marilyn Horne, New York City Opera Orchestra, Richard Bonynge | G Minor | 4 | 6A | 82 BPM | ||
Un amore così grande | Guido Maria Ferilli, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Henry Mancini | F Major | 3 | 7B | 79 BPM | ||
Nabucco / Act 1: Sperate, o figli! | Giuseppe Verdi, Yevgeny Nesterenko, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | C Major | 1 | 8B | 137 BPM | ||
Barcarolle: Schöne Nacht, du Liebesnacht - Hoffmanns Erzählungen | Jacques Offenbach, Jesús López-Cobos, Hei-Kyung Hong, Jennifer Larmore, Munich Radio Orchestra | D Major | 2 | 10B | 81 BPM | ||
La traviata / Act 3: Signora...Che t'accadde...Parigi, o cara | Giuseppe Verdi, Diane Pilcher, Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | A♭ Major | 1 | 4B | 87 BPM | ||
Les soirées musicales: La danza (Già la luna è in mezzo al mare) | Gioachino Rossini, Carlo Pepoli, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | F Major | 4 | 7B | 69 BPM |