"La traviata / Act 3: Signora...Che t'accadde...Parigi, o cara" by Giuseppe Verdi, Diane Pilcher, Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi had its release date on January 1, 2005. This song is about six minutes long, preciously at 6:02, making this song fairly long compared to other songs. This song is part of Verdi: La Traviata by Giuseppe Verdi, Anna Netrebko, Rolando Villazón, Wiener Philharmoniker. The song's track number on the album is #13 out of 38 tracks. La traviata / Act 3: Signora...Che t'accadde...Parigi, o cara is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since La traviata / Act 3: Signora...Che t'accadde...Parigi, o cara by Giuseppe Verdi, Diane Pilcher, Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi has a tempo of 87 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With La traviata / Act 3: Signora...Che t'accadde...Parigi, o cara being at 87 テンポ, the half-time would be 44 テンポ with a double-time of 174 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Traviata / Act 2: "Ogni suo aver tal femmina" | Giuseppe Verdi, Plácido Domingo, Walter Gullino, Bruno Grella, Giovanni Foiani, Alfredo Giacomotti, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | C Major | 3 | 8B | 125 BPM | ||
L'elisir d'amore / Act 1: "Benedette queste carte!" - "Della crudele Isotta" | Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | E Major | 1 | 12B | 75 BPM | ||
Don Pasquale, Act I Quarta Scena: So anch'io la virtù magica (Norina) | Gaetano Donizetti, Mirella Freni, Riccardo Muti, Philharmonia Orchestra | B♭ Major | 2 | 6B | 77 BPM | ||
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | ||
Die Zauberflöte, K. 620 / Act 2: "Pa-Pa-Pa-Pa-Pa-Pa-Papagena!" | Wolfgang Amadeus Mozart, Rolando Villazón, Regula Mühlemann, Jory Vinikour, Chamber Orchestra of Europe, Yannick Nézet-Séguin | D Major | 3 | 10B | 123 BPM | ||
Roberto Devereux / Act 1: "All'afflitto è dolce il pianto" | Gaetano Donizetti, Elina Garanca, Filarmonica del Teatro Comunale di Bologna, Roberto Abbado | G Major | 1 | 9B | 91 BPM | ||
Carmen, WD 31 / Act 2: La fleur que tu m'avais jetée | Georges Bizet, Freddie De Tommaso, Philharmonia Orchestra, Paolo Arrivabeni | E♭ Major | 3 | 5B | 96 BPM | ||
Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Selig, wie die Sonne" | Richard Wagner, Norman Bailey, Hannelore Bode, René Kollo, Adolf Dallapozza, Julia Hamari, Wiener Philharmoniker, Sir Georg Solti | F♯ Major | 2 | 2B | 82 BPM | ||
Bellini: I Puritani, Act 2: "O, rendetemi la speme" (Elvira) | Vincenzo Bellini, Maria Callas, Arturo Basile, Orchestra Sinfonica Di Torino Della Rai | E♭ Major | 2 | 5B | 90 BPM | ||
Nabucco / Act 3: Deh, perdona | Giuseppe Verdi, Piero Cappuccilli, Ghena Dimitrova, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | A♭ Major | 1 | 4B | 76 BPM |