Matt Haimovitz, Christopher O'Riley's 'Suite italienne (Version for Cello & Piano): III. Aria' came out on February 5, 2016. With this song being about 5 minutes long, at 5:21, "Suite italienne (Version for Cello & Piano): III. Aria" by Matt Haimovitz, Christopher O'Riley is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 27 in the song's album "Shuffle. Play. Listen". In this album, this song's track order is #10. Suite italienne (Version for Cello & Piano): III. Aria is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suite italienne (Version for Cello & Piano): III. Aria by Matt Haimovitz, Christopher O'Riley having a テンポ of 71 with a half-time of 36 テンポ and a double-time of 142 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elégie in C Minor, Op. 24 (Arr. Parkin) | Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert Max | A♭ Major | 0 | 4B | 88 BPM | ||
Sonata For Violin And Continuo III: Imitazione delle Campane (Arr. Badzura) | Johann Paul Von Westhoff, Daniel Hope, Deutsches Kammerorchester Berlin | A Minor | 1 | 8A | 82 BPM | ||
Quatuor pour la fin du temps, I/22: III. Abîme des oiseaux | Olivier Messiaen, David Krakauer, Jonathan Crow, Matt Haimovitz, Geoffrey Burleson | B Major | 0 | 1B | 66 BPM | ||
Cello concerto in D major, K. 285 d: II. Adagio | Wolfgang Amadeus Mozart, Matt Haimovitz, Stefan Sanderling, Orchestre de Bretagne | F♯ Minor | 0 | 11A | 172 BPM | ||
Suite in G Major, RCT 6: No. 14, Les sauvages - Adapted by Marina Baranova | Jean-Philippe Rameau, Marina Baranova | A♭ Major | 1 | 4B | 83 BPM | ||
Pärt: Summa for String Orchestra | Arvo Pärt, Estonian National Symphony Orchestra, Paavo Järvi | G Minor | 0 | 6A | 107 BPM | ||
Angel Heart, Pt. 1: Chapter 1a, There! Do You Hear It? | Luna Pearl Woolf, Jeremy Irons, Matt Haimovitz, Uccello | C Major | 1 | 8B | 87 BPM | ||
DANCE: III. in the middle of the fighting | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | A Minor | 1 | 8A | 82 BPM | ||
2 Pieces for Violin & Piano (Arr. M. Haimovitz for Cello & Piano): No. 1, Nocturne | Lili Boulanger, Matt Haimovitz, Mari Kodama | C Major | 0 | 8B | 102 BPM | ||
Nocturne in G Minor | Frédéric Chopin, Ólafur Arnalds, Alice Sara Ott | G Minor | 1 | 6A | 120 BPM |