"Cello concerto in D major, K. 285 d: II. Adagio" by Wolfgang Amadeus Mozart, Matt Haimovitz, Stefan Sanderling, Orchestre de Bretagne was released on January 1, 2003. Cello concerto in D major, K. 285 d: II. Adagio is about six minutes long, preciously at 5:52, making this song fairly long compared to other songs. The track order of this song in Matt Haimovitz, Stefan Sanderling, Orchestre de Bretagne's "Haydn & Mozart : Cello Concertos" album is number 8 out of 9. On top of that, France appears to be the country where this track was created. The popularity of Cello concerto in D major, K. 285 d: II. Adagio is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cello concerto in D major, K. 285 d: II. Adagio by Wolfgang Amadeus Mozart, Matt Haimovitz, Stefan Sanderling, Orchestre de Bretagne to be Vivace (lively and fast) because the track has a tempo of 172 テンポ, a half-time of 86テンポ, and a double-time of 344 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
The music key of this track is F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Péron: Méditation Religieuse | Su Shien-Ta, Yu Tsui-Ling | A Major | 1 | 11B | 80 BPM | ||
String Quartet No. 15 in D Minor, K. 421: III. Menuetto (arr. for violin and piano) | Wolfgang Amadeus Mozart, Takako Nishizaki, Terence Dennis | A♭ Major | 4 | 4B | 118 BPM | ||
Flute Sonata in A Minor, Wq. 132, H. 562: III. Allegro | Carl Philipp Emanuel Bach, Gunilla von Bahr | A Minor | 0 | 8A | 62 BPM | ||
6 Nocturnes, Op. 186: Nocturne No. 2: Allegretto ma un poco vivo | Johann Wenzel Kalliwoda, Ashan Pillai, Michael Endres | C Major | 1 | 8B | 97 BPM | ||
Violin Sonata No. 4 in D Major, HWV 371, Op. 1: III. Larghetto | Anthony Bracewell, Jun Cho | F Major | 0 | 7B | 127 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): IV. Giga: Vivace assai | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | E Minor | 0 | 9A | 121 BPM | ||
Lieder Ohne Worte, Sechtes Heft, Op. 67 (Arr. for Violin and Piano by Ferdinand David): I. Andante | Felix Mendelssohn, Michael Barenboim, Natalia Pegarkova-Barenboim | G Major | 1 | 9B | 79 BPM | ||
Concerto for Flute, Harp, and Orchestra in C Major, K. 299: I. Allegro | Wolfgang Amadeus Mozart, Carl Reinecke, Wolfgang Schulz, Nicanor Zabaleta, Wiener Philharmoniker, Karl Böhm | C Minor | 4 | 5A | 110 BPM | ||
Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM | ||
Conversation with J.S.: V | Eivind Buene, Ernst Simon Glaser | B Major | 1 | 1B | 92 BPM |