"Suite in G Major, RCT 6: No. 14, Les sauvages - Adapted by Marina Baranova" by Jean-Philippe Rameau, Marina Baranova was released on August 26, 2016. The duration of Suite in G Major, RCT 6: No. 14, Les sauvages - Adapted by Marina Baranova is about 3 minutes long, at 3:08. Based on our data, "Suite in G Major, RCT 6: No. 14, Les sauvages - Adapted by Marina Baranova" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Marina Baranova's "Hypersuites" album is number 10 out of 20. On top of that, Germany appears to be the country where this track was created. Suite in G Major, RCT 6: No. 14, Les sauvages - Adapted by Marina Baranova is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Suite in G Major, RCT 6: No. 14, Les sauvages - Adapted by Marina Baranova by Jean-Philippe Rameau, Marina Baranova to be Andante (at a walking pace) because the track has a tempo of 83 テンポ, a half-time of 42テンポ, and a double-time of 166 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cancons i danses: Canco i dansa No. 6 | Federico Mompou, Olena Kushpler | E♭ Minor | 1 | 2A | 64 BPM | ||
Fantasien op. 116: Intermezzo: Adagio | Johannes Brahms, Martin Tchiba | E Major | 0 | 12B | 66 BPM | ||
Waltz in F Minor | Vladimir Horowitz, Valery Kuleshov | B♭ Minor | 0 | 3A | 75 BPM | ||
Melody from « Orfeo » | Christoph Willibald Gluck, Roberto Giordano | G Minor | 2 | 6A | 115 BPM | ||
Slavonic Dance for Four Hands in E Minor, Op. 72/2: Dumka (Allegretto grazioso) | Antonín Dvořák, Khatia Buniatishvili | C Major | 0 | 8B | 77 BPM | ||
24 Preludes, Op. 37, BV 181: No. 15 in D-Flat Major | Ferruccio Busoni, Holger Groschopp | D♭ Major | 0 | 3B | 133 BPM | ||
Canción | Manuel de Falla, Javier Perianes | C Minor | 0 | 5A | 76 BPM | ||
The Arts and the Hours | Lavinia Meijer, Jean-Philippe Rameau | D♭ Major | 2 | 3B | 141 BPM | ||
Orfeo et Eurydice: Mélodie for Piano Solo | Christoph Willibald Gluck, Giovanni Sgambati, James Rhodes | D Minor | 0 | 7A | 70 BPM | ||
Lo, the full, final sacrifice, Op. 26: Amen - Instrumental | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | E Major | 1 | 12B | 112 BPM |