"Pastorale for Organ, Op. 23 No. 5 - Live" by Martin K. Schubert was released on November 30, 2022. The duration of Pastorale for Organ, Op. 23 No. 5 - Live is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Pastorale for Organ, Op. 23 No. 5 - Live's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 4 in the song's album "Soundscapes I (Live)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. Pastorale for Organ, Op. 23 No. 5 - Live is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pastorale for Organ, Op. 23 No. 5 - Live by Martin K. Schubert having a テンポ of 68 with a half-time of 34 テンポ and a double-time of 136 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
降誕祭「クリスマス第3ミサ」 - 入祭唱「嬰児われらのために」 | sakuro kojima | G Major | 0 | 9B | 69 BPM | ||
Solomon, HWV 67: Arrival of the Queen of Sheba (Arr. S. de Boufflers Taylor for Organ) | George Frideric Handel, Sir Stephen Cleobury | B♭ Major | 0 | 6B | 105 BPM | ||
Heugelijke tijding - Instrumental | Martin Zonnenberg, Martin Mans | C Minor | 3 | 5A | 129 BPM | ||
AR Pipe Organ - Demo | Mark Mancina | F Major | 0 | 7B | 137 BPM | ||
Fauré: Pelléas et Mélisande, Op. 80: III. Sicilienne (Arr. Robilliard) | Gabriel Fauré, Olivier Latry | E♭ Major | 0 | 5B | 74 BPM | ||
Laudate Pueri: IV. Quis sicut Dominus | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | A Major | 2 | 11B | 74 BPM | ||
Te Deum: XI. Miserere nostri | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Praeludium in G Minor, BuxWV 149 | Dietrich Buxtehude, René Saorgin | G Minor | 2 | 6A | 66 BPM | ||
Wer Nur Den Lieben Gott - Courante | Sietze de Vries | A♭ Major | 2 | 4B | 84 BPM | ||
Greater Antiphons: I. O Wisdom | Arvo Pärt, Tallinn Chamber Orchestra, Tõnu Kaljuste | D Major | 0 | 10B | 110 BPM |