George Frideric Handel, Sir Stephen Cleobury's 'Solomon, HWV 67: Arrival of the Queen of Sheba (Arr. S. de Boufflers Taylor for Organ)' came out on November 30, 2008. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "The Grand Organ of King's College, Cambridge". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Solomon, HWV 67: Arrival of the Queen of Sheba (Arr. S. de Boufflers Taylor for Organ) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Solomon, HWV 67: Arrival of the Queen of Sheba (Arr. S. de Boufflers Taylor for Organ) by George Frideric Handel, Sir Stephen Cleobury having a テンポ of 105 with a half-time of 52 テンポ and a double-time of 210 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tritsch-Tratsch Polka, Op. 214 | Nora Mercz, Johann Strauss II, Janos Balint | D Major | 1 | 10B | 76 BPM | ||
Violin Concerto in E Major, Op. 8, No. 1, RV 269 "La Primavera": 1. Allegro | Antonio Vivaldi, Simon Standage, The English Concert, Trevor Pinnock | E♭ Major | 1 | 5B | 209 BPM | ||
Peer Gynt Suite No. 2, Op. 55: Solveig's Song | Jenő Hubay, Edvard Grieg, Nora Shulman, Judy Loman | A Minor | 1 | 8A | 99 BPM | ||
Te Deum: Prélude | Marc-Antoine Charpentier, Orchestre Paul Kuentz | A♭ Major | 0 | 4B | 169 BPM | ||
Concerto in h-moll, del Sigr. Vivaldi, appropriato all' Organo: Allegro | Johann Gottfried Walther, Jörg Kraemer | B Minor | 1 | 10A | 88 BPM | ||
Deborah, HWV 51: Part I: Chorus - Let thy deeds be glorious | George Frideric Handel, Natacha Ducret, Elisabeth Scholl, Ewa Wolak, Lawrence Zazzo, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos Martini | A Minor | 0 | 8A | 172 BPM | ||
Trumpet Concerto in E Flat, H.VIIe/1: 3. Allegro | Joseph Haydn, Håkan Hardenberger, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Major | 0 | 4B | 169 BPM | ||
Symphony No.5 in D Major: 1. Allegro ma non troppo - Allegro assai | William Boyce, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 2 | 3B | 131 BPM | ||
Albinoni: Adagio in G Minor | Tomaso Albinoni, Sir Neville Marriner, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 90 BPM | ||
Toccata in G | Théodore Dubois, Martin Schellenberg | G Major | 2 | 9B | 109 BPM |