Johann Gottfried Walther, Jörg Kraemer's 'Concerto in h-moll, del Sigr. Vivaldi, appropriato all' Organo: Allegro' came out on January 1, 1995. The duration of Concerto in h-moll, del Sigr. Vivaldi, appropriato all' Organo: Allegro is about 3 minutes long, at 3:07. Based on our data, "Concerto in h-moll, del Sigr. Vivaldi, appropriato all' Organo: Allegro" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 16 in Dietrich Buxtehude, Friedrich Wilhelm Zachow, Georg Böhm, Georg Friedrich Kauffmann, Georg Muffat, Georg Philipp Telemann & Johann Gottfried Walther: Portrait of a Spring Chest Organ by Jörg Kraemer. Concerto in h-moll, del Sigr. Vivaldi, appropriato all' Organo: Allegro is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto in h-moll, del Sigr. Vivaldi, appropriato all' Organo: Allegro by Johann Gottfried Walther, Jörg Kraemer is Andante (at a walking pace), since this song has a tempo of 88 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Heugelijke tijding - Instrumental | Martin Zonnenberg, Martin Mans | C Minor | 3 | 5A | 129 BPM | ||
Missa Salisburgensis: I. Kyrie | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel, Gabrieli, Paul McCreesh | C Major | 1 | 8B | 78 BPM | ||
Gloria in D, RV 589: II. Et in terra pax hominibus | Antonio Vivaldi, Choir of King's College, Cambridge, Stephen Cleobury, Academy of Ancient Music | B♭ Minor | 2 | 3A | 130 BPM | ||
Magnificat in B flat major: Sicut erat in principio | Francesco Durante, Thomas Hengelbrock | A Major | 2 | 11B | 125 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: I. Ouverture: Grave. Allegro. Grave | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 2 | 6A | 115 BPM | ||
Dixit Dominus, ZWV 66: Sicut erat in principio - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | A♭ Major | 2 | 4B | 61 BPM | ||
Solomon, HWV 67: Arrival of the Queen of Sheba (Arr. S. de Boufflers Taylor for Organ) | George Frideric Handel, Sir Stephen Cleobury | B♭ Major | 0 | 6B | 105 BPM | ||
Alcidiane: Petite Chaconne | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | B Major | 0 | 1B | 150 BPM | ||
Locus Iste, WAB 23: Locus iste, WAB 23 | Anton Bruckner, SWR Vokalensemble Stuttgart, Marcus Creed | C Major | 0 | 8B | 75 BPM | ||
Mass No. 2 in F Major, Hob.XXII:1, "Missa brevis": Kyrie | Joseph Haydn, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick | D♭ Major | 3 | 3B | 163 BPM |