"Alyabyev: Solovey" by Alexander Alyabyev, Natalie Dessay, Michael Schønwandt, Berliner Sinfonieorchester was released on March 15, 1998. With this song being about 5 minutes long, at 5:15, "Alyabyev: Solovey" by Alexander Alyabyev, Natalie Dessay, Michael Schønwandt, Berliner Sinfonieorchester is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Vocalises by Natalie Dessay, Michael Schønwandt, Berliner Sinfonieorchester. The song's track number on the album is #2 out of 11 tracks. Based on our data, France was the country where this track was produced or recorded. Alyabyev: Solovey is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Alyabyev: Solovey by Alexander Alyabyev, Natalie Dessay, Michael Schønwandt, Berliner Sinfonieorchester has a tempo of 88 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Alyabyev: Solovey being at 88 テンポ, the half-time would be 44 テンポ with a double-time of 176 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 94 in G Major, Hob. I:94 "Surprise": II. Andante | Franz Joseph Haydn, George Szell, Cleveland Orchestra | C Major | 0 | 8B | 117 BPM | ||
The Sleeping Beauty, Op. 66a: No. 5, Waltz | Orchestra da Camera Fiorentina, Giuseppe Lanzetta | B♭ Major | 2 | 6B | 175 BPM | ||
Zapateado Op. 23 | Pablo de Sarasate, Sarah Chang, Charles Abramovic | A Major | 3 | 11B | 113 BPM | ||
Fantaisie en mi bémol: Allegro molto, con fuoco | André Chailleux, Camille Saint-Saëns, Camille Saint-Saëns, Henri Busser, Florent Schmitt, Guillaume Balay, Henri Büsser, Jeanine Rueff, Marcel Bitsch, Philippe Gaubert, Theo Charlier, Hannes Läubin, Lukas Maria Kuen | E♭ Major | 2 | 5B | 0 BPM | ||
La ronde des Lutins | Antonio Bazzini, Christian Li, Timothy Young | G Major | 5 | 9B | 98 BPM | ||
Largo al factotum from The Barber of Seville (1959 - historic recording) | US Marine Band, Gioachino Rossini, William Jones | B♭ Major | 3 | 6B | 77 BPM | ||
Carmen Ballet Suite (after Bizet): IX. Torero | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | F Major | 5 | 7B | 115 BPM | ||
Samson et Dalila: Bacchanale | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | A Minor | 1 | 8A | 109 BPM | ||
Samson et Dalila, Op. 47: Bacchanale | Camille Saint-Saëns, Philadelphia Orchestra, Eugene Ormandy | D Minor | 3 | 7A | 134 BPM | ||
The Boy Paganini | Edward Mollenhauer, Brendan Joyce, Jennifer Wakeling | D Major | 1 | 10B | 106 BPM |