"Fantaisie en mi bémol: Allegro molto, con fuoco" by André Chailleux, Camille Saint-Saëns, Camille Saint-Saëns, Henri Busser, Florent Schmitt, Guillaume Balay, Henri Büsser, Jeanine Rueff, Marcel Bitsch, Philippe Gaubert, Theo Charlier, Hannes Läubin, Lukas Maria Kuen was released on May 1, 2006. With Fantaisie en mi bémol: Allegro molto, con fuoco being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 19 out of 24 in André Chailleux, Camille Saint-Saëns, Florent Schmitt, Guillaume Balay, Henri Busser, Jeanine Rueff, Marcel Bitsch, Philippe Gaubert & Théo Charlier: Solos De Concours - French Music for Trumpet and Piano by Guillaume Balay, Jeanine Rueff, Marcel Bitsch, Florent Schmitt, Camille Saint-Saëns, Henri Büsser, André Chailleux, Theo Charlier, Philippe Gaubert, Hannes Läubin, Lukas Maria Kuen. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Fantaisie en mi bémol: Allegro molto, con fuoco is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fantaisie en mi bémol: Allegro molto, con fuoco by André Chailleux, Camille Saint-Saëns, Camille Saint-Saëns, Henri Busser, Florent Schmitt, Guillaume Balay, Henri Büsser, Jeanine Rueff, Marcel Bitsch, Philippe Gaubert, Theo Charlier, Hannes Läubin, Lukas Maria Kuen is Larghissimo, since this song has a tempo of 0 テンポ. With that information, we can conclude that the song has a slow tempo.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | ||
Sinfonies de Fanfare in D Major: 2. Air (1st movement of Suite No.2) | Jean-Joseph Mouret, Hannes Läubin, Wolfgang Läubin, Bernhard Läubin, Norbert Schmitt, Simon Preston | G Major | 0 | 9B | 72 BPM | ||
Pièce de Concours | André Chailleux, Camille Saint-Saëns, Florent Schmitt, Guillaume Balay, Henri Büsser, Jeanine Rueff, Marcel Bitsch, Philippe Gaubert, Theo Charlier, Hannes Läubin, Lukas Maria Kuen | F Major | 0 | 7B | 71 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 77 BPM | ||
3 Old Viennese Dances: No. 2, Liebesleid (Transcr. for Violin and Orchestra) | Fritz Kreisler, María Dueñas, Wiener Symphoniker, Manfred Honeck | G Major | 0 | 9B | 103 BPM | ||
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | ||
Clarinet Concerto No. 1 in C Minor, Op. 26: II. Adagio | Louis Spohr, Karl Leister, Radio Sinfonieorchester Stuttgart des SWR, Rafael Frühbeck de Burgos | A♭ Major | 0 | 4B | 73 BPM | ||
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | ||
Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM | ||
Symphony No. 5 in D Minor, Op. 47: IV. Allegro non troppo | Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic | B♭ Major | 4 | 6B | 106 BPM |